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ABSTRACT The limited temporal completeness and taxonomic accuracy of species lists, made available in a traditional manner in scientific publications, has always represented a problem. These lists are invariably limited to a few taxonomic groups and do not represent up-to-date knowledge of all species and classifications. In this context, the Brazilian megadiverse fauna is no exception, and the Catálogo Taxonômico da Fauna do Brasil (CTFB) (http://fauna.jbrj.gov.br/), made public in 2015, represents a database on biodiversity anchored on a list of valid and expertly recognized scientific names of animals in Brazil. The CTFB is updated in near real time by a team of more than 800 specialists. By January 1, 2024, the CTFB compiled 133,691 nominal species, with 125,138 that were considered valid. Most of the valid species were arthropods (82.3%, with more than 102,000 species) and chordates (7.69%, with over 11,000 species). These taxa were followed by a cluster composed of Mollusca (3,567 species), Platyhelminthes (2,292 species), Annelida (1,833 species), and Nematoda (1,447 species). All remaining groups had less than 1,000 species reported in Brazil, with Cnidaria (831 species), Porifera (628 species), Rotifera (606 species), and Bryozoa (520 species) representing those with more than 500 species. Analysis of the CTFB database can facilitate and direct efforts towards the discovery of new species in Brazil, but it is also fundamental in providing the best available list of valid nominal species to users, including those in science, health, conservation efforts, and any initiative involving animals. The importance of the CTFB is evidenced by the elevated number of citations in the scientific literature in diverse areas of biology, law, anthropology, education, forensic science, and veterinary science, among others. publications problem uptodate up date classifications context exception (CTFB http//fauna.jbrj.gov.br/, httpfaunajbrjgovbr http //fauna.jbrj.gov.br/ , jbrj gov br (http://fauna.jbrj.gov.br/) 2015 Brazil 80 specialists 1 2024 133691 133 691 133,69 125138 125 138 125,13 82.3%, 823 82 3 (82.3% 102000 102 000 102,00 7.69%, 769 7 69 (7.69% 11000 11 11,00 . 3,567 3567 567 (3,56 2,292 2292 2 292 (2,29 1,833 1833 833 (1,83 1,447 1447 447 (1,44 1000 1,00 831 (83 628 (62 606 (60 520 (52 50 users science health biology law anthropology education others http//fauna.jbrj.gov.br/ faunajbrjgovbr //fauna.jbrj.gov.br (http://fauna.jbrj.gov.br/ 201 8 202 13369 13 133,6 12513 12 125,1 82.3% (82.3 10200 10 00 102,0 7.69% 76 6 (7.69 1100 11,0 3,56 356 56 (3,5 2,29 229 29 (2,2 1,83 183 83 (1,8 1,44 144 44 (1,4 100 1,0 (8 62 (6 60 52 (5 5 http//fauna.jbrj.gov.br (http://fauna.jbrj.gov.br 20 1336 133, 1251 125, 82.3 (82. 1020 0 102, 7.69 (7.6 110 11, 3,5 35 (3, 2,2 22 (2, 1,8 18 (1, 1,4 14 4 ( 82. (82 7.6 (7. 3, (3 2, (2 (1 7. (7

Abstract In this article are analyzed, hermeneutically and correlatively, the poems "Yo y ella" (1987), by Nidia Barboza, and "Tropical" (2018), by Daniela Esquivel. The representation and construction of lesbian lovers is studied, linking the expressions of their homoeroticism with ecofeminism and queer ecology. In Barboza's poem, the (self)affirmation of lesbianhood linked to the beach and earth elements is observed. In Esquivel's, the belonging of lesbian bodies to the beach and the naturalization of exhibitionism are also studied. It is concluded that the lyrical actants show, from the paradigm of open LGBTIQ+ eroticism, an ecological awareness and queer empathy, because they integrate nature into their bodies, they live their interdependence and indistinction with nature, they celebrate cosmic belonging and unity; they inhabit, remember and queer the marine ecosystem, where they naturalize and affirm their homosexuality, enjoy and freely and holistically exhibit their homoeroticism, and deconstruct the discourses of the heteronormative, homophobic and ecophobic dwelling.

Resumo Este artigo analisa hermenêutica e correlativamente os poemas "Yo y ella" (1987), de Nidia Barboza, e "Tropical" (2018), de Daniela Esquivel. A representação e construção de amantes lésbicas é explorada, ligando as expressões do seu homoerotismo ao ecofeminismo e à ecologia queer. No poema de Barboza, estudamos a (auto)afirmação das lésbicas associadas à praia e aos elementos terrestres; no poema de Esquivel, estudamos também a pertença dos corpos lésbicos à praia e a naturalização do exibicionismo. Conclui-se que os actantes líricos evidenciam, a partir do paradigma do erotismo aberto LGBTIQ+, uma consciência ecológica e empatia queer, à medida que integram a natureza nos seus corpos, vivem a sua interdependência e indistinção com a natureza, celebram a pertença cósmica e a unidade; habitam, recordam e estranham os ecossistemas marinhos, onde naturalizam e afirmam a lesbialidade; desfrutam e exibem livre e holisticamente o seu homoerotismo, e desconstruem discursos heteronormativos, homofóbicos e ecófobos.

Resumen En este artículo se analizan hermenéutica y correlativamente los poemas "Yo y ella" (1987), de Nidia Barboza, y "Tropical" (2018), de Daniela Esquivel. Se indaga en la representación y construcción de las amantes lesbianas, vinculando las expresiones de su homoerotismo con el ecofeminismo y la ecología queer. En el poema de Barboza, se estudia la (auto) afirmación de la lesbiandad asociada a la playa y a elementos terrestres; en el de Esquivel, también la pertenencia de los cuerpos lesbianos a la playa y la naturalización del exhibicionismo. Se concluye que las actantes líricas evidencian, desde el paradigma del abierto erotismo LGBTIQ+, una conciencia y empatía ecológica queer, pues integran la naturaleza a sus cuerpos, viven su interdependencia e indistinción con la naturaleza, celebran la pertenencia y unidad cósmicas; habitan, recuerdan y queerizan ecosistemas marinos, donde naturalizan y afirman la lesbiandad; gozan y exhiben libre y holísticamente su homoerotismo, y deconstruyen los discursos heteronormativos, homofóbicos y ecofóbicos.

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issn	ISSN da revista
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