Résumé Dans cette note technique, nous présentons l’un des principaux legs empiriques de la recherche sur la publicité télévisée des candidats à la députation fédérale de l’État de Rio de Janeiro dans le cadre de la période de 1998 à 2018. Il s’agit d’introduire et de décrire le processus de collecte de cette base de données, les procédures utilisées au fil du temps pour la systématisation des informations et les utilisations possibles de deux bases de données liées à la recherche : la première ayant pour unité d’analyse les programmes électoraux enregistrés pendant la période ; et la seconde ayant pour unité d’analyse les candidats , comptabilisant le temps (en secondes) d’apparition dans le HGPE ; la performance électorale de chaque candidat (votes et résultat final) ; le financement de la campagne et d’autres caractéristiques politiques, sociales et démographiques. La base de données présentée couvre pas moins de 9 433 programmes électoraux enregistrés pendant la période nocturne, auxquels ont participé 1 774 candidatures. technique lun l un lÉtat État 199 2018 sagit s agit dintroduire d introduire danalyse analyse en secondes dapparition apparition votes final dautres autres politiques démographiques 43 nocturne 77 candidatures 19 201 4 7 20 2

Abstract In this technical note, we present one of the main empirical legacies of the research on the electoral campaign of candidates for Federal Deputy in the state of Rio de Janeiro during the free time granted by the government for electoral propaganda (Horário Gratuito de Propaganda Eleitoral − HGPE) from 1998 to 2018. The aim is to introduce and describe the process of data collection for this database, the procedures used over time for the systematization of information, and the potential uses of two databases linked to the research: the first analyzes the electoral programs recorded during the period and the second the unit of analysis is the individual candidates, coding the time (in seconds) of appearance in the HGPE, the electoral performance of the candidates (votes and final result), campaign financing, and other political, social, and demographic characteristics. The database includes 9,433 electoral programs broadcasted in the evening, in which 1,774 candidates participated. note Horário HGPE 199 2018 information seconds votes result, result , result) financing political social characteristics 9433 9 433 9,43 evening 1774 1 774 1,77 participated 19 201 943 43 9,4 177 77 1,7 20 94 4 9, 17 7 1, 2

Resumen En esta nota técnica, presentamos uno de los principales legados empíricos de la investigación sobre la publicidad televisiva de las candidatas/de los candidatos a diputado federal en el Estado de Río de Janeiro en los Horarios Gratuitos de Publicidad Electoral (HGPE) en el periodo de 1998 a 2018. El objetivo es presentar y describir el proceso de recopilación de esta base de datos, los procedimientos utilizados a lo largo del tiempo para sistematizar la información y los posibles usos de dos bases de datos vinculadas a la investigación: la primera tiene como unidad de análisis los programas electorales registrados durante el periodo; y la segunda tiene como unidad de análisis las candidatas/los candidatos, contabilizando el tiempo (en segundos) que aparecieron en el HGPE; el rendimiento electoral de cada candidato/candidata (votos y resultado final); la financiación de la campaña y otras características políticas, sociales y demográficas. La base de datos presentada incluye no menos de 9.433 programas electorales grabados por la noche, en los que participaron 1.774 candidatas/candidatos. técnica candidatasde candidatas HGPE (HGPE 199 2018 candidataslos segundos candidatocandidata candidato candidata votos final final) políticas demográficas 9433 9 433 9.43 noche 1774 1 774 1.77 candidatascandidatos candidatas/candidatos 19 201 943 43 9.4 177 77 1.7 20 94 4 9. 17 7 1. 2

Resumo Nesta nota técnica apresentamos um dos principais legados empíricos da pesquisa sobre propaganda das candidatas/dos candidatos a Deputado Federal do Estado do Rio de Janeiro no Horário Gratuito de Propaganda Eleitoral (HGPE) no período de 1998 a 2018. Trata-se de introduzir e descrever o processo de coleta dessa base de dados, os procedimentos utilizados ao longo do tempo para a sistematização das informações e os possíveis usos de dois bancos de dados vinculados à pesquisa: o primeiro possui como unidade de análise os programas eleitorais gravados no período; e, o segundo, possui como unidade de análise os/as candidatos/candidatas, contabilizando o tempo (em segundos) de aparição no HGPE; desempenho eleitoral de cada candidata/candidato (votos e resultado final); financiamento de campanha e outras características políticas, sociais e demográficas. O banco apresentado abarca nada menos do que 9.433 programas eleitorais gravados à noite, dos quais participaram 1.774 candidatos/candidatas. candidatasdos candidatas HGPE (HGPE 199 2018 Tratase Trata se segundo osas as candidatoscandidatas candidatos/candidatas em segundos candidatacandidato candidata candidato votos final final) políticas demográficas 9433 9 433 9.43 noite 1774 1 774 1.77 19 201 943 43 9.4 177 77 1.7 20 94 4 9. 17 7 1. 2

RESUMO Objetivo: Examinar a associação entre o tempo de tela autorreportado e os sintomas de estresse, ansiedade e depressão em adolescentes. Métodos: Foi realizado estudo com delineamento transversal com 982 adolescentes entre 12-15 anos, matriculados na rede pública de ensino da cidade de Jacarezinho (PR). Para mensurar o tempo de tela, os adolescentes responderam à pergunta: “Considerando um dia típico, quanto tempo você passa assistindo TV, jogando videogame, usando computador ou smartphone?”. O questionário DASS-21 (versão curta) foi utilizado para avaliar os sintomas de depressão, ansiedade e estresse. Análises brutas e ajustadas (idade, sexo e nível de escolaridade materna) entre tempo de tela e indicadores de saúde mental foram realizadas por meio do modelo de regressão linear generalizado, com distribuição de Poisson, adotando a significância de p<0,05. Resultados: Maiores sintomas depressivos foram observados em adolescentes com tempo de tela de 4–6 horas/dia (RP 1,35, IC95% 1,13–1,61) e ≥6 horas/dia (RP 1,88, IC95% 1,62–2,19) quando comparados com seus pares com ≤2 horas/dia. O mesmo foi observado para os sintomas de ansiedade com tempo de tela de 4–6 horas/dia (RP 1,23, IC95% 1,04–1,46) e ≥6 horas/dia (RP 1,50, IC95% 1,28–1,77); e estresse, com 4–6 horas/dia (RP 1,25, IC95% 1,08–1,44) e ≥6 horas/dia (RP 1,49, IC95% 1,30–1,71), também comparados com seus pares com ≤2 horas/dia. Conclusões: O tempo de tela foi associado positivamente com os sintomas de depressão, ansiedade e estresse em adolescentes. Atenção especial deve ser dada àqueles que passam mais de quatro horas por dia em frente a uma tela. Objetivo Métodos 98 1215 12 15 12-1 anos PR. PR . (PR) pergunta Considerando típico TV videogame smartphone. smartphone smartphone?” DASS21 DASS 21 DASS-2 versão curta idade, idade (idade materna generalizado Poisson p005 p 0 05 p<0,05 Resultados 46 4 6 4– horasdia RP 135 1 35 1,35 IC95 IC 1,13–1,61 113161 13 61 ≥ 188 88 1,88 1,62–2,19 162219 62 2 19 ≤ 123 23 1,23 1,04–1,46 104146 04 150 50 1,50 1,28–1,77 128177 28 77 1,28–1,77) 125 25 1,25 1,08–1,44 108144 08 44 149 49 1,49 1,30–1,71, 130171 1,30–1,71 , 30 71 1,30–1,71) Conclusões 9 121 12- (PR smartphone? DASS2 DASS- p00 p<0,0 3 1,3 IC9 1,13–1,6 11316 18 8 1,8 1,62–2,1 16221 1,2 1,04–1,4 10414 5 1,5 1,28–1,7 12817 7 1,08–1,4 10814 14 1,4 13017 1,30–1,7 p0 p<0, 1, 1,13–1, 1131 1,62–2, 1622 1,04–1, 1041 1,28–1, 1281 1,08–1, 1081 1301 1,30–1, p<0 1,13–1 113 1,62–2 162 1,04–1 104 1,28–1 128 1,08–1 108 130 1,30–1 p< 1,13– 11 1,62– 16 1,04– 10 1,28– 1,08– 1,30– 1,13 1,62 1,04 1,28 1,08 1,30 1,1 1,6 1,0

ABSTRACT Objective: To examine the associations between self-reported screen time and symptoms of stress, anxiety, and depression in adolescents. Methods: A cross-sectional study was conducted with 982 adolescents aged between 12 and 15 years, enrolled in public schools in Jacarezinho (PR), Brazil. Screen time was assessed by the question “Considering a typical day, how much time do you spend watching TV, playing videogame, using computer or smartphone?” The DASS-21 questionnaire (short form) was used to assess symptoms of depression, anxiety, and stress. Crude and adjusted analyses (age, sex, and maternal level of education) between screen time and mental disorders symptoms were performed using general linear regression models, with Poisson distribution, with significance level at p<0.05. Results: Higher depressive symptoms were observed in adolescents who reported screen time of 4–6 hours/day (PR 1.35, 95%CI 1.13–1.61) and ≥6 hours/day (PR 1.88, 95%CI 1.62–2.19), compared with their pairs with <2 hours/day. The same was observed for anxiety symptoms with screen time of 4–6 hours/day (PR 1.23, 95%CI 1.04–1.46) and ≥6 hours/day (PR 1.50, 95%CI 1.28–1.77); and stress, with 4–6 hours/day (PR 1.25, 95%CI 1.08–1.44) and ≥6 hours/day (PR 1.49, 95%CI 1.30–1.71), also compared with their pairs with <2 hours/day. Conclusions: Screen time was positively associated with depressive, anxiety, and stress symptoms in adolescents. Special attention should be given to those who spend more than four hours a day in front of a screen. Objective selfreported self Methods crosssectional cross sectional 98 1 years PR, PR , (PR) Brazil Considering TV videogame smartphone smartphone? DASS21 DASS 21 DASS-2 short form age, age (age sex education models distribution p005 p 0 05 p<0.05 Results 46 4 6 4– hoursday 135 35 1.35 95CI CI 95 1.13–1.61 113161 13 61 ≥ 188 88 1.88 1.62–2.19, 162219 1.62–2.19 62 2 19 1.62–2.19) < 123 23 1.23 1.04–1.46 104146 04 150 50 1.50 1.28–1.77 128177 28 77 1.28–1.77) 125 25 1.25 1.08–1.44 108144 08 44 149 49 1.49 1.30–1.71, 130171 1.30–1.71 30 71 1.30–1.71) Conclusions 9 DASS2 DASS- p00 p<0.0 3 1.3 1.13–1.6 11316 18 8 1.8 16221 1.62–2.1 1.2 1.04–1.4 10414 5 1.5 1.28–1.7 12817 7 1.08–1.4 10814 14 1.4 13017 1.30–1.7 p0 p<0. 1. 1.13–1. 1131 1622 1.62–2. 1.04–1. 1041 1.28–1. 1281 1.08–1. 1081 1301 1.30–1. p<0 1.13–1 113 162 1.62–2 1.04–1 104 1.28–1 128 1.08–1 108 130 1.30–1 p< 1.13– 11 16 1.62– 1.04– 10 1.28– 1.08– 1.30– 1.13 1.62 1.04 1.28 1.08 1.30 1.1 1.6 1.0

Resumen En este artículo se analiza un conjunto de noticias televisivas que, durante el segundo bienio del gobierno de Mauricio Macri (2018-2019) en Argentina, informaron sobre distintas medidas regresivas en materia de derechos migratorios a nivel nacional y provincial. Se indaga la mediatización de discursos oficiales y su legitimación para modificar la legislación vigente, así como la difusión de noticias que criminalizan a la población migrante para justificar la implementación de dichas políticas. Ante la escasez de estudios sobre representaciones de migrantes en la televisión, se examina cómo los/as funcionarios/as utilizan la pantalla para allanar el camino para sus decisiones políticas. A partir del análisis del discurso de un corpus de noticias se corrobora, entre otras cosas, una articulación entre discursos mediáticos y políticos, y una brecha informativa sobre los derechos migratorios, todo lo cual redunda en obstáculos para la construcción de una ciudadanía comunicacional de las personas migrantes.

Abstract This article analyzes a set of television news that reported on different regressive measures regarding migration rights at national and provincial levels, aired during the second biennium of Mauricio Macri’s government (2018-2019) in Argentina. Here we delve into the mediatization of official discourses, and their legitimization to modify current legislation, as well as into the dissemination of news that criminalize the migrant population, aimed at justifying the implementation of such policies. Given the scarcity of studies on the representation of migrants on television, this study examines how officials use the screen to pave the way for their political decisions. From the analysis of the discourse conveyed in this corpus of news, is revealed, among other things, an articulation between media and political discourses, and the existence of an information gap on migration rights, all of which results in hurdles for the construction of a communicational citizenship of migrants.

Resumen El fenómeno migratorio en México ha cobrado relevancia debido al aumento del tránsito de centroamericanos por el país para llegar a Estados Unidos a cumplir el sueño americano. En este artículo se identifican los imaginarios y fuentes de información de los migrantes respecto a su trayectoria y destino final. Se llevaron a cabo 60 entrevistas en una casa del migrante en la ciudad de Monterrey a participantes provenientes de Honduras, El Salvador, Guatemala y Nicaragua. Las conclusiones demuestran imaginarios romantizados, cuyos fundamentos son primordialmente fuentes interpersonales (otros migrantes y conocidos que ya han hecho el viaje) y fuentes mediáticas (televisión, cine, Internet y periodismo). Desde una perspectiva sociológica y de ciencias de la información, este caso de estudio revisa la idea de los imaginarios como parte elemental en la toma de decisiones de los migrantes que arriesgan sus vidas para alcanzar destinos meta.

Abstract The topic of migration in Mexico has gained relevance since there has been a significant increase of Central American migrants traveling through the country towards the United States, to achieve the American dream. This article identifies the imaginaries and sources of information of migrants regarding their transit and final destination. Sixty people were interviewed in a local shelter of the city of Monterrey with participants from Honduras, El Salvador, Guatemala, and Nicaragua. The conclusions show romanticized imaginaries, founded primarily on interpersonal sources (other migrants and acquaintances who have made the trip) and media sources (television, cinema, the Internet, and journalism). From a sociological and information science perspective, this case study reviews the idea of imaginaries as a fundamental part in the decision making of migrants who risk their lives in order to reach target destinations.

ABSTRACT: Argentine actor Ricardo Darín is the one who attracts the largest audiences in each of the films he stars in. He occupies a very important symbolic place within the national star system, and even in the country’s public arena. In this article, I go back to his television career to explain how, in his long career, there were two key products that helped to consolidate his persona, and at the same time allowed him to turn it around: the sitcom Mi cuñado (Carlos Berterreix, 1993-1996) and the feature film Nueve reinas (Fabián Bielinsky, 1999). I propose that his star text was shaped by the tension between the stereotype of the chanta (the rogue) -of long tradition and popularity in Argentine arts- and the measured middle-class young man. The qualitative leap between the two occurred between the peak of his television popularity and his consolidation as a film star of international scope.

RESUMEN: Ricardo Darín es el actor argentino que consigue mayor convocatoria de público en cada una de las películas que protagoniza. Ocupa un lugar simbólico muy importante dentro del sistema de estrellas del cine nacional, e incluso en la arena pública del país. En este artículo me remonto a su carrera televisiva para explicar cómo, en su extensa trayectoria, hubo dos productos clave que colaboraron en la consolidación de su imagen, a la vez que permitieron virarlo: la telecomedia Mi cuñado (Carlos Berterreix, 1993-1996) y el largometraje Nueve reinas (Fabián Bielinsky, 1999). Propongo que su texto estrella se conformó en la tensión entre el estereotipo del chanta (el pícaro) -de larga tradición y popularidad en las artes argentinas-, y el joven mesurado de clase media. El salto cualitativo entre uno y otro se produjo entre el summum de su popularidad televisiva y su consolidación como una estrella cinematográfica de alcance internacional.

Abstract The present study aims to identify the impact generated by the information media, social networks and the media on Peruvian university students in the context of the COVID19 quarantine in Peru, and to know how it relates to the emotional state, and to the compliance with health recommendations. This retrospective correlational study collected information from 396 students from a Peruvian university, Universidad Nacional Mayor de San Marcos, through a virtual survey conducted during two weeks of the Peruvian quarantine (March 13 - May 13, 2021). The main results show that there is an association between the effects of the media and compliance with health recommendations. The most reassuring messages came from authorities such as the president of Peru, the university, and government text messages; as well as television; while the most disturbing messages were spread through social networks and other media. Furthermore, the findings show that university students mostly complied with the main recommendations of the Peruvian government and the WHO.

Resumen El presente estudio tiene como objetivo identificar el impacto que generan los medios de información, las redes sociales y los medios de comunicación en los estudiantes universitarios peruanos en el contexto de la cuarentena de COVID19 en Perú, y conocer cómo se relaciona con el estado emocional y el cumplimiento de las recomendaciones de salud. Este estudio correlacional retrospectivo recopiló información de 396 estudiantes de una universidad peruana, la Universidad Nacional Mayor de San Marcos, a través de una encuesta virtual realizada durante dos semanas de la cuarentena peruana (del 13 de marzo al 13 de mayo del 2021). Los principales resultados muestran que existe una asociación entre los efectos de los medios y el cumplimiento de las recomendaciones sanitarias. Los mensajes más tranquilizadores vinieron de autoridades como el presidente del Perú, la universidad y los mensajes de texto del gobierno; así como de la televisión; mientras que los mensajes más inquietantes se difundieron a través de las redes sociales y los otros medios de comunicación. Además, los hallazgos muestran que los estudiantes universitarios cumplieron mayormente con las recomendaciones principales del gobierno peruano y de la OMS.

Abstract: Through an analysis of a large set of materials from different print and audiovisual media outlets, this article shows that the phenomenon of political violence as developed in Mexico in the seventies not only was not unknown to the general population (as has generally been argued), but that it occupied an important and complex space as an object of consumption for urban sectors. It is broken down into three sections. First, it undertakes a critical review of the studies analyzing the presence of political violence in the media and suggests that it’s necessary to rethink the historiographic consensus. Second, it synthetically follows the political and media careers of the primary armed groups that arose in the state of Guerrero in order to show how they actively participated in the public sphere. Finally, it reviews materials that have often been left out of studies on the media presence of political violence, such as television reports, films and comic books, in order to show that the public perception of the guerrilla phenomenon played out in a complex and changing media environment that facilitated the appearance of political violence in the public sphere in spaces and forms that are less schematic than tends to be imagined.

Resumen: El artículo muestra, mediante el análisis de un amplio conjunto de materiales provenientes de distintos medios de comunicación impresos y audiovisuales, que los fenómenos de violencia política desarrollados en México durante los años setenta no sólo no permanecían ocultos para la población (como se ha plantado generalmente), sino que ocuparon un importante y complejo espacio como mercancías de consumo para los sectores urbanos. Para mostrar esto, el texto presenta tres apartados. En primer lugar, se realiza una revisión crítica de los estudios dedicados a analizar la presencia de la violencia política en los medios de comunicación y propone que es necesario emprender un replanteamiento de los consensos historiográficos alcanzados. En segundo lugar, se realiza un seguimiento sintético de la trayectoria política y mediática de los dos principales grupos armados surgidos en el estado de Guerrero para mostrar cómo estos grupos participaron activamente en la esfera pública. Finalmente, se hace la revisión de materiales que comúnmente han quedado fuera de los estudios sobre la presencia de la violencia política en los medios, como reportajes de televisión, películas o historietas, para mostrar que la percepción pública del fenómeno guerrillero se jugó en un complejo y cambiante mapa mediático que posibilitó la aparición de la violencia política en la esfera pública en espacios y formas menos esquemáticos de lo que suele pensarse.

BACKGROUND: There was a need to investigate the appropriateness of the standard manual wheelchairfor occupational performance in Thulamela Municipality Vhembe District, Limpopo. METHODS: An observational cross-sectional descriptive design using simple random sampling was used to select n=60 wheelchair users who were issued with standard manual wheelchairs between 2014 and 2018. The Wheelchair Outcome Measure was used to investigate the participants' level of satisfaction in engagement in ADL and IADL and the suitability of the wheelchair in terms of the user's comfort and satisfaction with positioning and prevention of skin breakdown. Descriptive statistics were used to analyse the data. RESULTS: The wheelchair users viewed activity participation in the home as important and were generally satisfied with their standard manual wheelchairs while performing occupational activities at home and outside the home. A total of (n=46; 78%) of the participants felt comfortable in their wheelchair. CONCLUSIONS: Wheelchair prescription should take into consideration the occupational choices of the user. Further qualitative studies to explore the factors that determined the participants' choices for their activity participation goals should be undertaken. IMPLICATIONS FOR PRACTICE • Training of new occupational therapy staff in each facility in the Thulamela district to equip them with the skills to prescribe wheelchairs is necessary. • The level of importance that wheelchair participants attached to level of importance of activity participation inside and outside the home was high therefore there is a need to consider the client's occupational choices when prescribing wheelchairs. • The wheelchair needs to facilitate participation in a wide range of occupational choices ranging from self-care activities and watching TV in the home to visiting friends and family and attending events outside the home.

Abstract Television became the most important communication device in the 1990s, reaching all middle-class households and playing a relevant role in constructing shared social meaning. The aim of this article is to examine different dimensions and senses of humor in El palacio de la risa, a very popular television comedy show hosted by Antonio Gasalla between 1992 and 1996 -broadcast by ATC and Canal 13- in Argentina. We will focus on the sketches starred by the actors Alejandro Urdapilleta and Humberto Tortonese, who, together with Gasalla, introduced relevant innovations in the production of television humor. In the first section, we will analyze which elements of performing arts of the 1980s underground are used and put into play in this television comedy. Then, we will examine three dimensions that function as crucial material for the trio's humorous production: the critique of the Argentinean high classes, the tension between dominant and dissident sexualities, and the parodic mentions made about television itself. In terms of methodology, the work was based on an analysis of 30 sketches by the Urdapilleta-Gasalla-Tortonese trio, frequent subjects, aesthetic aspects, body gestures and discursive uses. In short, the work seeks to make a contribution to the knowledge of mass culture, as well as the parody and destabilization of the common sense upheld by television during the 1990s in Argentina.

Resumen La televisión se constituyó en el dispositivo comunicacional de mayor importancia en los años 1990, al llegar a todos los hogares de clase media y ocupar un rol preponderante en la elaboración de sentidos sociales compartidos. El objetivo de este artículo es indagar distintas dimensiones y sentidos del humor en El palacio de la risa, programa humorístico de gran relevancia conducido por Antonio Gasalla entre 1992 y 1996 y transmitido por ATC y Canal 13, en Argentina. Nos enfocaremos en los números protagonizados por los actores Alejandro Urdapilleta y Humberto Tortonese, quienes, junto a Gasalla, introducen importantes innovaciones en la producción humorística televisiva. En la primera sección, analizaremos qué elementos del teatro underground de los años 1980 son recuperados y puestos en juego en la propuesta televisiva. A continuación, se examinarán tres dimensiones que funcionan como materia prima para la producción humorística del trío: la crítica a las clases dominantes argentinas, la tensión entre sexualidades dominantes y disidentes, y las menciones paródicas realizadas sobre la propia televisión. En cuanto a la metodología, el trabajo fue realizado en base a un análisis de 30 sketches del trío Urdapilleta-Gasalla-Tortonese, registrando temas, aspectos estéticos, gestualidad corporal y usos discursivos. En suma, el trabajo realiza una contribución al conocimiento de la cultura de masas y las posibilidades paródicas y de desestabilización del sentido común de la televisión durante los años 1990 en Argentina.

ABSTRACT Introduction Vesicovaginal fistula (VVF) is the most common urogenital fistula due to iatrogenic cause, primarily associated with gynecologic surgery (1). Although both conservative and surgical management may be considered, the optimal treatment is still uncertain and several studies were published using different techniques (open, laparoscopic or robotic) and approaches (extravesical, transvesical or transvaginal) (2–5). In this context, we aim to report our initial experience repairing VVF with Single-Port (SP) Transvesical (TV) access. Materials and Methods Four patients with a diagnosis of VVF underwent SP-TV VVF repair between May 2022 and December 2023. Diagnosis was confirmed by cystoscopy, cystogram and in two cases by CT Urogram. Under general anesthesia, before robotic time, patients were placed in lithotomy position and a preliminary cystoscopy was performed. Fistula was noted and a 5fr stent was placed through the fistulous tract. Two ureteral stents were placed. Then, with patient supine, a transverse suprapubic 3cm incision and 2cm cystotomy were made for SP access. First step was to mark and remove fistula tract to the vagina. The edges of the vagina and bladder were dissected in order to have a closure free of tension and to create three different layers to close: vagina, muscularis layer of the bladder and mucosal layer of the bladder. A bladder catheter was placed, and the two ureteral stents were removed at the end of procedure. Results Mean age was 53 years old and three out of 4 patients developed VVF after gynecologic surgery. Two patients underwent VVF repair 6 and 8 months after total hysterectomy. One patient developed VVF after total hysterectomy and oophorectomy followed by radiation therapy. Last patient developed VVF after previous urological procedure. Fistula diameter was between 11 and 15mm. Operative time was 211 min, including preliminary cystoscopy, stents placement and SP-access. All patients were discharged on the same day with a bladder catheter, successfully removed between post-operative day 14-18 after negative cystogram. Only in one case a ureteral stent was left because the fistula was closed to the ureteral orifice and we reported one case of UTI twelve days after surgery, treated with outpatient antibiotics. Mean follow-up was 8 months, patients were scheduled for regular follow-up visits and no recurrence was reported. All patients have at least 3 months of post-operative follow-up. Conclusions Our experience suggests that SP Transvesical VVF repair may be considered as a safe and feasible minimally invasive treatment for small/medium fistulae (10-15mm). (VVF cause 1. 1 . (1) open, open (open extravesical, extravesical (extravesical transvaginal 2–5. 25 2–5 2 5 (2–5) context SinglePort Single Port (SP TV (TV access SPTV 202 2023 Urogram anesthesia performed fr Then supine cm close procedure therapy 15mm mm 21 min SPaccess. SPaccess SP-access postoperative post operative 1418 14 18 14-1 antibiotics followup follow up followup. up. smallmedium small medium 1015mm. 1015mm 10 (10-15mm) (1 2– (2–5 20 141 14- (10-15mm ( (2– (2

Abstract When a building is demolished, its cohesive and planned structure fractures into countless fragments. These heterogeneous and disorganised fragments blur the boundaries between what was once private - the domestic space - and what is now public - the formerly occupied land. In 2019, I stumbled upon a family photograph amidst the rubble left by the demolition of the last towers of the Bairro do Aleixo in Porto. Constructed in the 1970s, this was a public housing estate designed to accommodate families from Ribeira-Barredo who had been displaced due to urban redevelopment. Throughout the years, the five towers have hosted a sizable and fluctuating population that has adapted and made use of this previously unconventional housing model. From 2011 to 2019, Aleixo underwent three demolition operations, politically supported by arguments citing its structural and social deterioration as justification. The first two were striking implosions broadcasted on television, whereas the final demolition, which I witnessed, unfolded as a slow deconstruction spanning several months. In the photograph, the woman dressed in white poses on a balcony of Tower 1 within the old Bairro do Aleixo. In the background stands the phallic skeleton of Tower 4, which would be imploded decades later. Upon its unearthing, the photograph, weathered by time and circumstance, hinted at a conceptual connection with the debris surrounding it. In this article, my focus centres on this found photograph, aiming to unveil the processes and tensions encapsulated within this fragment. I draw on the ontological connections between photography and death, as well as between photography and ruin, to analyse the spectral image of this obliterated site. I delve into what the encounter with this image might reveal about the memory of the neighbourhood, its public image, and the extensive and violent process of displacing its residents. I reach the concept of a "rubble-image" as pivotal in interpreting this nearly vanished imprint that stubbornly affirms the persistence of a dissenting and complex place, supposedly erased from public space and suppressed from urban memory by dominant sensibilities.

Resumo Quando uma edificação é demolida, a sua estrutura, unitária e planeada, é desintegrada em incontáveis fragmentos. Heterogéneos e desordenados, estes fragmentos borram os limites entre o que era privado - o espaço doméstico - e o que é público - o terreno antes ocupado. Em 2019, encontrei uma fotografia familiar entre os escombros da demolição das últimas torres do Bairro do Aleixo, no Porto. Este foi um conjunto de habitação pública construído na década de 1970 para realojar famílias da Ribeira-Barredo, deslocadas por uma reabilitação urbana. Ao longo do tempo, as cinco torres abrigaram uma população numerosa e mutável que se apropriou desse modelo de habitação até então incomum. Entre 2011 e 2019, o Aleixo foi alvo de três operações de demolição, politicamente justificadas por sua degradação estrutural e social. As duas primeiras foram implosões espetaculares e televisionadas, enquanto a última, que presenciei, foi uma lenta desconstrução que durou meses. Na fotografia, uma mulher vestida de branco posa numa varanda da Torre 1 do antigo Bairro do Aleixo. Ao fundo, paira o esqueleto fálico da Torre 4, implodida décadas depois. Quando encontrada, a fotografia, arruinada pelo tempo e pelas circunstâncias, sugeria uma afinidade conceptual com os escombros que a cercavam. Neste artigo, detenho-me sobre essa fotografia encontrada, objetivando desvelar os processos e as tensões armazenadas nesse fragmento. Recorro às relações ontológicas entre fotografia e morte, também entre fotografia e ruína, para analisar a imagem espectral desse sítio obliterado. Desenvolvo o que o encontro com ela pode indicar sobre a memória do bairro, a sua imagem pública, assim como o longo e violento processo de remoção dos seus moradores. Chego à noção de “imagem-escombro” como chave de leitura para esse vestígio quase desaparecido que afirma teimosamente a persistência de um lugar dissidente e complexo, pretensamente apagado do espaço público e suprimido da memória urbana pelas sensibilidades dominantes.

Abstract This article endeavours to examine how Brazilian television has responded to technological trends in the context of media convergence within the realm of Brazilian television, with a specific focus on the streaming platform of Globo Group, the largest media conglomerate in Latin America, known as Globoplay. The central argument of this paper revolves around the various forms of engagement employed by the organisation as it seeks to adapt to the changing landscape of media. Using the case study method (Yin, 2015), this research correlates the theoretical framework with three central points aimed at discussing engagement in the era of media convergence as a foundation for television’s relationships with its advertisers, the creation of audiovisual products and projects, and, most importantly, its relationship with the contemporary audience. The analysis underscores the use of techniques such as artificial intelligence and machine learning, which aid the platform in reshaping its strategies and decision-making processes. In light of the findings and subsequent discussion, it can be inferred that the primary goal of these initiatives is to foster engagement among both its audience and advertisers.

Resumo Este artigo visa examinar como a televisão brasileira tem respondido às tendências tecnológicas no contexto da convergência mediática, com foco específico na plataforma de streaming do Grupo Globo, o maior conglomerado de média da América Latina, conhecida como Globoplay. O argumento central deste artigo gira em torno das várias formas de engajamento empregues pela organização enquanto procura adaptar-se ao cenário de constante mudança dos média. Utilizando o método de estudo de caso (Yin, 2015), esta pesquisa correlaciona o quadro teórico com três pontos centrais destinados a discutir as noções de engajamento na era da convergência dos média como base para as relações da televisão com os seus anunciantes, a criação de produtos e projetos audiovisuais e, sobretudo, a sua relação com a audiência. A análise destaca o uso de técnicas como inteligência artificial e aprendizagem automática, que ajudam a plataforma a remodelar as suas estratégias e processos de tomada de decisão. À luz dos resultados e discussão subsequentes, pode-se inferir que o objetivo principal dessas iniciativas consiste em adaptar-se ao contexto hipertelevisivo e ampliar o modo como o Grupo Globo se relaciona tanto com o seu público como com os seus anunciantes.