Abstract: In the current situation marked by a necessary ecosocial transition, the new urban agendas have been acquiring a leading role, establishing strategies for the transformation of cities based on the principles of sustainability, where the cultural approach takes on a relevant role. The aim of this article is to analyze, the framework agendas drawn up at different levels of government, from the perspective of heritage and culture. To this end, the documents that make up the International, European, Spanish and Andalusian urban agendas are analyzed by means of a bibliographical review, considering heritage and citizenship as key components in the urban configuration. As a result of the multilevel analysis, a series of key factors are identified as a reference framework for the implementation of new urban agendas in cities from a heritage and citizenship approach.

Resumen: En la actual coyuntura marcada por una necesaria transición ecosocial, las nuevas agendas urbanas han ido adquiriendo un papel protagonista, estableciendo estrategias para la transformación de las ciudades basadas en los principios de la sostenibilidad, donde el enfoque cultural adquiere un papel relevante. El objetivo de este artículo es analizar, desde el punto de vista del patrimonio y la cultura, estas agendas marco elaboradas en diferentes niveles de gobierno como el internacional, europeo, nacional y regional. Para ello, se realiza una revisión bibliográfica de los documentos que conforman las agendas urbanas Internacional, Europea, Española y Andaluza, considerando el patrimonio y la ciudadanía como componentes clave en la configuración urbana. Como resultado del análisis multinivel, se identifican una serie de factores clave como marco de referencia para la implementación de nuevas agendas urbanas en las ciudades desde un enfoque de patrimonio y ciudadanía.

RESUMEN Los estudios realizados demuestran las potencialidades y carencias en el desarrollo de capacidades en este sentido. El trabajo forma parte del proyecto Formación profesional a los actores y agencias educativas y socioculturales en estudios históricos regionales y locales para el desarrollo sostenible en la región central de Cuba. Las acciones se realizan desde un enfoque innovador, interdisciplinario y profesionalizadoque permite el análisis de la realidad natural, social e históricaen relación a las buenas prácticas de empleo, conservación y protección de los recursos patrimonialespara la puesta en valor. Se producen articulaciones entre los resultados de los estudios históricos regionales y locales con el desarrollo local, a partir de la interrelación entre universidad y sociedad. Se incluye la elaboración de productos de innovación social resultantes de los aportes teóricos, metodológicos, didácticos y prácticos sobre los estudios históricos regionales y locales producidos por el departamento de Historia de la Universidad de Cienfuegos que favorecen la gestión en el desarrollo sostenible de las localidades y comunidades de la región central de Cuba.

ABSTRACT The studies carried out demonstrate the potential and shortcomings in the development of capabilities in this sense. The work is part of the project Professional training for educational and sociocultural actors and agencies in regional and local historical studies for sustainable development in the central region of Cuba. The actions are carried out from an innovative, interdisciplinary and professional approach that allows the analysis of the natural, social and historical reality in relation to good practices of employment, conservation and protection of heritage resources for the enhancement. Links are produced between the results of regional and local historical studies with local development, based on the interrelation between university and society. It includes the development of social innovation products resulting from the theoretical, methodological, didactic and practical contributions on regional and local historical studies produced by the Department of History of the University of Cienfuegos that favor management in the sustainable development of localities and communities of the central region of Cuba.

Abstract Faced with the imperative to raise awareness to tackle the climate crisis, this article delves into Instagram manifestations of two young Brazilian activists dedicated to climate justice: Txai Suruí, a member of the indigenous youth movement in Rondônia, and Amanda Costa, founder and executive director of the Instituto Perifa Sustentável, selected for their involvement of the United Nations Global Compact Youth Committee. Following the three stages of narrative analysis adopted (event, organisation and conflict), coupled with the theoretical-methodological framework of intersectionality, the findings show that the young women are breaking new ground and promoting discussions surrounding the environment, human rights, citizenship, social participation and climate justice. Using informal and empathetic language, the activists exert pressure on agents (governments, institutions, companies) while establishing a connection with their audiences. As women from the Global South, activists Txai Suruí and Amanda Costa challenge entrenched power dynamics. The findings of the analysis underscore the pivotal role played by these young women in articulating content on the issues. Through advocacy efforts and active engagement on digital social networks, they exhibit a critical and creative approach. Serving as representatives of historically invisible peoples, Txai and Amanda employ narratives of resistance, drawing upon their ancestral heritage in the pursuit of a future with climate justice.

Resumo Diante da necessidade de sensibilização para o enfrentamento da crise do clima, este artigo analisa as articulações no Instagram de duas jovens ativistas brasileiras sobre justiça climática: Txai Suruí, integrante do movimento da juventude indígena de Rondônia, e Amanda Costa, fundadora e diretora executiva do Instituto Perifa Sustentável, selecionadas por integrarem o Comitê Jovem do Pacto Global da Organização das Nações Unidas. Após as três etapas de análise narrativa adotadas (acontecimento, organização e conflito), vinculadas ao arcabouço teórico-metodológico da interseccionalidade, os resultados apontam que as jovens mulheres fissuram novos espaços e promovem discussões sobre meio ambiente, direitos humanos, cidadania, participação social e justiça climática. Com linguagem informal e empática, as ativistas realizam pressão aos agentes (governantes, instituições, empresas) e estabelecem conexão com seus públicos. Como mulheres do Sul Global, as ativistas Txai Suruí e Amanda Costa desafiam polos de poder. Conforme os resultados da análise, foi possível verificar que as jovens exercem espaço de protagonismo na articulação de conteúdos sobre os temas ao promover advocacy e ocupar as redes sociais digitais com foco educativo, de modo crítico e criativo. Representantes de povos historicamente invisibilizados, Txai e Amanda praticam narrativas de resistência ao invocar a ancestralidade na luta por um futuro com justiça climática.

Resumen: El patrimonio militar edificado en las regiones del Perú está claramente invisibilizado. La presente investigación aporta a su valoración patrimonial. Tiene enfoque cualitativo y nivel exploratorio. Para el registro se emplearon medios fotogramétricos de relevamiento de información métrica (software Agisoft Metashape Profesional y equipo de cámaras profesionales/semi-profesionales, un dron DJI Mavic Pro y ordenadores de escritorio). En el estudio histórico la técnica utilizada fue revisar fuentes secundarias, mapas y fotografías de la historia total del inmueble, y luego explorar documentos del siglo XIX en archivo. Entre sus resultados destaca que con relación al objetivo general de profundizar el registro arquitectónico exacto del Fuerte Barbones, el proceso realizado -incluso en plena pandemia por el Covid-19- ha resultado posible y valioso, transformando problemas en oportunidades de trabajo cooperativo, tecnológicas e innovadoras.

Abstract: The military heritage built in the regions of Peru is conspicuously invisible. The present investigation contributes to its patrimonial valuation. It has a qualitative approach and an exploratory level. For the recording, photogrammetric means of collecting metric information were used (Agisoft Metashape Professional software, professional/semi-professional camera equipment, a DJI Mavic Pro drone, and desktop computers). In the historical study, the technique used was to review secondary sources, maps and photographs of the total history of the property, and then explore documents from the 19th century in the archive. One notable result is that, in relation to the overarching goal of deepening the precise architectural record of "Fort Barbones," the process undertaken- even amidst the Covid-19 pandemic-has been both possible and valuable. It has transformed problems into opportunities for cooperative, technological, and innovative work.

Resumen: Con este trabajo, ponemos en valor el patrimonio de Jaén a través de la producción gráfica del arquitecto Luis Berges Roldán. A lo largo de su carrera, Berges ha desarrollado un sistema de expresión distintivo y personal que le confiere una identidad reconocible. Su enfoque del tiempo y el espacio siempre ha estado influenciado por el dibujo. La cultura local que inspiró su vocación como arquitecto y que ha servido de base para su obra construida, junto con las circunstancias históricas, familiares y personales que ha enfrentado, han sido el sustrato en el que ha florecido su producción, tanto gráfica como arquitectónica. Así, abordamos dos perspectivas complementarias. En primer lugar, valoramos la importancia de la representación gráfica como una herramienta fundamental para comprender su mundo personal. En segundo lugar, nos enfocamos en comprender el valor de su producción gráfica y arquitectónica como una unidad indivisible que refleja su pensamiento creativo.

Abstract: With this study, we aim to emphasize the heritage of Jaén through the graphic production of architect Luis Berges Roldán. Throughout his professional career, Berges has employed a distinctive and personal system of expression that grants him a recognizable identity. Drawing has always been the lens through which he filters his approach to time and space. The local culture that sparked his vocation as an architect and upon which his executed work unfolds, along with the historical, familial, and personal circumstances he has had to respond to, have been the substrate where his production, both graphic and architectural, has germinated. In this research, we address two complementary perspectives. Firstly, we assess the significance of graphic representation as a substantial asset for understanding his personal universe. Secondly, we focus on comprehending the value of his graphic and architectural production as an inseparable unit, giving rise to his creative thinking.

Resumen: Desde la revolución de 2011, Túnez ha experimentado una fase transformadora caracterizada por modelos emergentes de gobernanza que priorizan las iniciativas de base y la participación comunitaria en los asuntos locales. Esta renovación política, a pesar de sus múltiples desafíos, se ha llevado a cabo en períodos de crisis recurrentes que abarcan los dominios político, socioeconómico y de seguridad. A través de un estudio de caso del municipio de Mhamdia, este artículo tiene como objetivo examinar dos aspectos fundamentales: (1) cómo las comunas pueden abordar el patrimonio construido en presencia de actores nacionales, internacionales, gubernamentales, no gubernamentales, lucrativos y sin fines de lucro, y (2) cómo la gestión del patrimonio puede ser desafiante y llevar en ocasiones a la destrucción de elementos históricos. Este análisis cualitativo, enraizado en la investigación práctica, busca explorar los paradigmas cambiantes y las dinámicas en evolución tanto en prácticas tradicionales como novedosas, arrojando luz sobre su impacto en el patrimonio construido. Los resultados demuestran que, al igual que los actores nacionales, las élites locales también aprovechan el patrimonio construido para fortalecer su legitimidad, aunque a través de medios diferentes.

Abstract: Since the 2011 revolution, Tunisia has undergone a transformative phase characterized by emerging models of governance that prioritize grassroots initiatives and community participation in local affairs. Despite its manifold challenges, this political renewal has unfolded during political, socioeconomic, and security crises. Through a case study of the commune of Mhamdia, this article aims to examine two key aspects: (1) how communes can approach built heritage amidst the presence of national, international, governmental, non-governmental, profit, and non-profit actors, and (2) how heritage management can pose challenges, occasionally leading to the destruction of historical elements. This qualitative analysis, rooted in practitioner research, explores shifting paradigms and evolving dynamics within traditional and novel practices, shedding light on their impact on built heritage. The results demonstrate that, similar to national players, local elites also leverage built heritage to fortify their legitimacy, albeit through different means.

Resumo As relações e os vínculos territoriais são fundamentais para os estudos em Geografia. Nos últimos anos, eles têm passado por uma evolução significativa e não são alheios às investigações sobre a atividade turística, uma vez que os fluxos gerados são responsáveis pela dinâmica territorial. O objetivo principal deste trabalho é revelar as interações espaciais que surgem a partir de uma rota turística internacional, onde seus recursos valorizam o patrimônio das missões jesuítico-guaranis localizadas em três países: Paraguai, Argentina e Brasil. A metodologia empregada combina técnicas qualitativas e quantitativas, utilizando o software de análise de redes Gephi e dos Sistemas de Informação Geográfica (SIG). Por meio da cartografia, destacam-se as características e propriedades dos nós e dos vínculos estabelecidos entre os povos missionários nos quais se registra uma atividade turística preponderante. Além disso, é integrado o conceito de fricção do espaço, o qual funciona para explicar, com mais detalhes, cada uma das relações e vínculos estabelecidos.

Abstract Relationships and territorial links are fundamental to Geography studies. In recent years, these aspects have undergone significant evolution. Besides, the study of tourism activity is not indifferent since the flows generated in places of tourism interests are those that give rise to territorial dynamics. The main objective of this study is to reveal the spatial interactions stemming from an internationally renowned tourist route, with a very particular niche of its resources, which focus on the heritage of the Jesuit-Guarani missions located in three countries: Paraguay, Argentina, and Brazil. The methodology used integrates the use of qualitative and quantitative techniques. These techniques are combined with “Gephi,” a network analysis software, and “Geographic Information Systems” (GIS). With the aid of cartography, the characteristics and properties of the nodes and links established among the “pueblos misionales” in which the primary tourist activities take place are displayed. Additionally, the concept of “friction of space” is incorporated to explain, in more detail, each of the relationships and links established.

Resumen Las relaciones y los vínculos territoriales son fundamentales para los estudios en Geografía. En los últimos años, estos han tenido una evolución significativa y para el estudio de la actividad turística no resultan ajenos, pues los flujos que se generan son los que dan origen a una dinámica territorial. El objetivo central de este trabajo es revelar las interacciones espaciales que se originan a partir de una ruta turística internacional, donde sus recursos ponen en valor el patrimonio de las misiones jesuítico-guaraníes localizadas en tres países: Paraguay, Argentina y Brasil. La metodología utilizada se asocia con el uso de técnicas cualitativas y cuantitativas que se conjuntan con el uso del software de análisis de redes Gephi y de los Sistemas de Información Geográfica (SIG) en el que, a través de la cartografía, se muestran las características y propiedades de los nodos y los vínculos que se establecen entre los pueblos misionales en los que se registra una actividad turística preponderante. Asimismo, se integra el concepto de fricción del espacio que funciona para explicar, con más detalle, cada una de las relaciones y vínculos establecidos.

Resumen Introducción: se sabe que los festivales incrementan y valorizan el patrimonio intangible. Esta investigación busca propiciar la transformación de los festivales en escenarios que favorezcan el acceso a la difusión de las artes con criterios de equidad hacia las turistas mujeres. Objetivo principal: el propósito de este trabajo es investigar la participación de las turistas mujeres durante la asistencia al Festival de Artes Vivas de Loja-Ecuador en 2018, y determinar si tanto los hombres como las mujeres tienen una participación plena e igualitaria en la cultura; así como inferir las tendencias futuras. Método y técnica: esta investigación utiliza un enfoque cuantitativo de alcance exploratorio, se aplicaron 353 encuestas. Los datos se analizaron con base en la técnica de Clusters por Árboles de Regresión y al Análisis de Detección de Interacción Chi-cuadrado. Adicionalmente, se utilizaron cuatro estadísticos de prueba. Resultados: la probabilidad de asistencia de las turistas mujeres, así como sus gastos, fueron inferiores a la de los hombres. Las mujeres prefirieron las obras de teatro, la danza y las exposiciones gastronómicas. Los precios fueron percibidos como altos, lo que podría provocar el retorno de un pequeño porcentaje de las turistas mujeres. Conclusiones: la oferta cultural del festival no es inclusiva para las turistas mujeres. De persistir esta tendencia, la asistencia se polarizaría. El derecho de las turistas mujeres a participar como asistentes en las actividades de los festivales de arte debería ser un compromiso de la ciudad como política pública.

Abstract Introduction: festivals contribute to increasing heritage diversity. This research contributes to promoting the transformation of festivals into scenarios that favor access to the dissemination of the arts with criteria of equity towards women tourists.Objective: the purpose of this work is to investigate the participation of female tourists during Festival of Living Arts in Loja-Ecuador in 2018 in order to determine if both men and women have a full and equal participation in culture; as well as to infer future trends.Method and technique: this research use a quantitative approach of exploratory scope; 353 surveys were applied. Data were analyzed based on the regression tree technique and Chi-square Interaction Detection Analysis. Additionally, four test statisticians were used.Results: the probability of attendance of female tourists and their expenses were lower than men. Women tourists preferred plays, dance and gastronomic exhibitions. Prices were perceived as high, this would cause a return of a small percentage of female tourists.Conclusions: the cultural offer of the festival is not inclusive for female tourists. If this trend persists, attendance would become polarized. The right of female tourists to take part as attendees in the activities of art festivals should be a commitment of the city, as public policy.

Abstract In the context of the current debates about the disclosure of donor conception, this paper explores the perspectives on identity of people who have resorted to donating sperm and/or eggs in Buenos Aires City and for whom filiation with their descendants is not based on sharing biogenetic substance. Through the examination of a corpus of interviews conducted between 2018 and 2020 and in dialogue with kinships studies in anthropology, two notions of identity are recognized, identity as a construction or process and identity as an attribute transmitted through genes. Fathers and mothers’ reflections about the identity of their children and the identity of the donors return us to the problem of the biological and social aspects of kinship and the culture/nature binomial, forcing us to reflect on the distinction and articulation between both domains.

Resumen En el marco de los debates actuales sobre el levantamiento del anonimato de los/as donantes de gametos, este artículo indaga las perspectivas sobre la identidad de personas que han recurrido a la donación de semen y/u óvulos en la Ciudad Autónoma de Buenos Aires y cuyo vínculo de filiación con su descendencia no se basa en compartir una substancia biogenética. A partir del examen de un corpus de entrevistas realizadas entre 2018 y 2020 y en diálogo con la antropología del parentesco, se reconocen dos nociones de identidad en juego, la identidad como construcción o proceso y la identidad como un atributo transmitido a través de los genes. Las reflexiones de los padres y las madres acerca de la identidad de sus hijos/as y la identidad de los/las donantes nos devuelven de lleno al problema de los aspectos biológicos y sociales del parentesco y al binomio cultura/naturaleza, obligando a reflexionar sobre la distinción y articulación entre ambos dominios.

The standardisation process of a language is always a polemic undertaking, and Tshivenda is no exception. This article explores the Tshivenda dialects and the standardisation process that this language went through. The importance of language as a primary resource for an individual, social identification, and also as a means of learning and communication, cannot be overemphasised. Moreover, when different language varieties come into contact, acculturation is inevitable, i.e., linguistic and cultural elements from both sides will diffuse and "contaminate" each other's languages and culture. However, this phenomenon is not fully researched, especially among the Tshivenda dialects. The lexicographers and terminographers, who are tasked with the development and maintenance of the Tshivenda language, seem to be "trapped" in the colonial and apartheid era, i.e., of selecting and elevating one dialect over others to represent a language. Since 1994, the year of the dawn of a democratic dispensation in South Africa, this process has proceeded at a snail's pace. In this study, a qualitative, ethnographic approach was adopted, and data were collected through telephonic interviews, where six participants were purposefully and conveniently sampled. The findings of this study may benefit speakers of Tshivenda, lexicographers, terminographers, and all language practitioners, teachers, and learners. When people value their language and heritage, use it often without prejudice or hesitancy, and practice their culture and traditions, their identity, history, dignity, and heritage become preserved. Tshivenda, at the official level, may have many lexical items in its endeavour to carry out its function as an official language in different domains.

RESUMEN El altiplano cundiboyacense, conocido como un importante productor agrícola que garantiza la seguridad alimentaria de varios departamentos del país, fue el asentamiento de la comunidad indígena Muisca que legó un acervo gastronómico materializando saberes, técnicas y conocimientos ancestrales derivadas en preparaciones gastronómicas y cocina tradicional transmitidas por vía oral. En la actualidad estas manifestaciones gastronómicas se encuentran amenazadas en tanto no están documentadas y no se ha generado un reconocimiento y valor simbólico que contribuya con su mantenimiento y divulgación. En consecuencia, el objetivo de este estudio es conocer las técnicas, saberes y conocimientos asociados a la gastronomía ancestral de origen indígena en el altiplano cundiboyacense de Colombia. La metodología investigativa se estructuró a partir del enfoque cualitativo y el método etnográfico; las técnicas utilizadas fueron la observación y las entrevistas semiestructuradas; la información se sistematizó y analizó a partir del software de análisis cualitativo Atlas.ti. Los resultados evidencian que la gastronomía ancestral y sus cocinas tradicionales se constituyen en un acervo cultural fundamental que determina la identidad de los territorios; cohesiona y entreteje la memoria e imaginarios sociales como vehículos de acercamiento cultural que deben ser mantenidos, divulgados y recreados.

ABSTRACT The Cundiboyacense highlands, known as an important agricultural producer that guarantees food security for several departments of the country, was the settlement of the Muisca indigenous community. The muiscas bequeathed a gastronomic heritage materializing knowledge, techniques, and ancestral knowledge derived from gastronomic preparations and traditional cuisine transmitted orally. Nowadays, these gastronomic manifestations are threatened because they are not documented and recognized as a symbolic value which contributes to their maintenance and dissemination. In this light, this study aims to learn about the techniques and knowledge associated with the ancestral gastronomy of indigenous origin in the Cundiboyacense highlands of Colombia. The research methodology was structured on the basis of the qualitative approach, and the ethnographic method. The techniques used were observation and semi-structured interviews. The information was systematized and analyzed using the Atlas.ti qualitative analysis software. The results show that ancestral gastronomy and its traditional cuisines constitute a fundamental cultural heritage that determines the identity of the territories. It also coheres and interweaves the memory and social imaginaries as vehicles of cultural approach that should be maintained, disseminated, and recreated.

This work on STEAM and education for sustainable development was undertaken across a series of collaborative case studies as formative research on the inclusion of Indigenous technologies and knowledge practices in teacher education. We noted that, despite the current academic imperative to decolonise southern African education, one seldom finds the inclusion of Indigenous technologies and Indigenous heritage practices in the contemporary classroom. Teachers we worked with were highly interested in their Indigenous knowledge heritage. Yet, they reported that they, and the young teachers they work with, simply do not have the heritage knowledge capital to include Indigenous knowledge systems in their teaching. Other challenges they face are the time it takes to engage community knowledge holders, and to find knowledge relating to school subject disciplines. The teachers observed that students prioritise modernity over Indigenous heritage and technologies, often undervaluing the latter as a forgotten past. Three exploratory cases delved into teacher education's response to challenges through co-engaged work, and this paper synthesises the emerging evidence-aiming to refine pedagogical tools for integrating Indigenous knowledge into STEAM education. A cultural-historical approach was used to frame the study and to derive insights and inferences in co-engaged lesson design research with teachers.

Resumo A intenção deste artigo é contribuir para o debate aberto pelas antropologias do futuro e sua suposição de que a configuração da dinâmica social e cultural contemporânea pode ser causalmente projetada a partir de uma orientação futura. Aproveito a tese para considerar se essa abordagem pode ser aplicada à comunidade indígena, sabendo que ela é a materialização da tradição e do costume. Usando alguns exemplos etnográficos de duas comunidades indígenas no estado mexicano de Oaxaca, esboço linhas interpretativas em que concilio patrimônio histórico, morfologia e comunidade com orientações, ação social e futuro. Parto da hipótese de que o comum atua como um a priori da ação de sujeitos que orientam, por meio de suas práticas, a comunidade em direção a futuros possíveis.

Resumen La intención de este trabajo es contribuir al debate abierto por las antropologías del futuro, en particular problematizar la tesis de que la configuración de dinámicas sociales y culturales contemporáneas puedan ser diseñadas causalmente desde una orientación futura. Retomo la idea para pensar sí este planteamiento se le puede aplicar al hecho comunidad indígena, a sabiendas que ésta es la materialización de la tradición y la costumbre. Usando algunos ejemplos etnográficos provenientes de dos comunidades indígenas del estado mexicano de Oaxaca, bosquejo líneas interpretativas donde concilio herencia histórica, morfología y comunidad, con orientaciones, acción social y futuro. Parto de la hipótesis de que lo común actúa como un a priori de la acción de sujetos que orientan, con sus prácticas, a la comunidad hacia futuros posibles.

Abstract The intention of this paper is to contribute to the debate opened by the anthropologies of the future and their assumption that the configuration of contemporary social and cultural dynamics can be causally designed from a future orientation. I take up the thesis to consider whether this approach can be applied to the indigenous community, knowing that this is the materialization of tradition and custom. Using some ethnographic examples from two indigenous communities in the Mexican state of Oaxaca, I sketch interpretative lines where I reconcile historical heritage, morphology and community, with orientations, social action and future. I start from the hypothesis that the common acts as an a priori of the action of subjects that orient, with their practices, the community towards possible futures.

Abstract This article aimed to map therapeutic itineraries in health care within rural Quilombola communities in the north of Minas Gerais, Brazil. This is a section of a qualitative research conducted in six visited communities. The data was collected through 18 individual interviews, analyzed using the theoretical-methodological framework of Therapeutic Itineraries, and organized into three empirical themes. The narratives allowed for understanding the paths taken in health care by the Quilombola population, identifying the components of the popular subsystem (natural resources, the use of teas and home remedies), the family subsystem (transmission of knowledge and cultural heritage of care), and the professional subsystem (hospital level, medical care, primary and specialized attention). The difficulties of access are not only due to geographical distances, but also broader aspects of social determination, such as institutional racism, low availability of services, the need for payment for transportation and medical procedures. In this sense, it is necessary to have an approach and interventions from public policies to address ethnic-racial, economic, and access inequalities in health care services. Gerais Brazil 1 interviews theoreticalmethodological theoretical methodological Itineraries themes population natural resources remedies, remedies , remedies) transmission care) hospital level attention. attention . attention) distances determination racism services procedures sense ethnicracial, ethnicracial ethnic racial, racial ethnic-racial economic

Resumo Este artigo teve como objetivo mapear os itinerários terapêuticos no cuidado em saúde em comunidades quilombolas rurais no norte de Minas Gerais, Brasil. Trata-se de um recorte de uma pesquisa qualitativa realizada em seis comunidades visitadas. Os dados foram produzidos por meio de 18 entrevistas individuais, analisados pelo referencial teórico-metodológico dos itinerários terapêuticos e organizados em três temas empíricos. As narrativas permitiram a compreensão dos percursos trilhados no cuidado em saúde pela população quilombola, a identificação dos componentes do subsistema popular (recursos naturais, o uso de chás e remédios caseiros), do subsistema familiar (transmissão de conhecimentos e herança cultural de cuidados), e do subsistema profissional (nível hospitalar, cuidados médicos, atenção primária e especializada). As dificuldades de acesso não decorrem apenas das distâncias geográficas, envolvem aspectos mais amplos da determinação social, como o racismo institucional, a baixa oferta de serviços, a necessidade de pagamento para deslocamentos e procedimentos médicos. Nesse sentido, fazem-se necessárias uma abordagem e intervenções das políticas públicas frente às desigualdades étnico-raciais, econômicas e de acesso aos serviços de cuidado em saúde. Gerais Brasil Tratase Trata se visitadas 1 individuais teóricometodológico teórico metodológico empíricos quilombola recursos naturais caseiros, caseiros , caseiros) transmissão cuidados, cuidados) nível hospitalar médicos especializada. especializada . especializada) geográficas social institucional sentido fazemse fazem étnicoraciais, étnicoraciais étnico raciais, raciais étnico-raciais

RÉSUMÉ: Mulheres do Mar: pratiques performatives comme critique des mythes coloniaux patriarcaux brésiliens – Le texte analyse le projet Mulheres do Mar, méné avec des femmes âgées de la communauté Serviluz à Fortaleza (CE). Par le biais d’ateliers de pratiques performatives, le mythe colo-nial Iracema, de José de Alencar, a été remis en question. Des analyses féministes articulées avec l’approche des archives et des répertoires de Diana Taylor étayent la critique du roman. Ensuite, des aspects de l’approche méthodologique de la création sont partagés, en mettant l’accent sur les car-tographies de soi. La réflexion porte sur la manière dont l’élaboration collective d’un contre-récit à l’héritage patriarcal résumé dans Iracema contribue au débat sur les pratiques artistico-pédagogiques décoloniales. RÉSUMÉ Mar CE. CE . (CE) dateliers d ateliers colonial colo nial Alencar question lapproche l approche roman Ensuite partagés laccent accent cartographies car tographies soi lélaboration élaboration dun un contrerécit contre récit lhéritage héritage artisticopédagogiques artistico pédagogiques décoloniales (CE

ABSTRACT Women of the Sea: performative practices as a critique of Brazilian patriarchal co-lonial myths – The text analyses the Mulheres do Mar (Women of the Sea) project, conducted with elderly women from the Serviluz community in Fortaleza (CE). Through performance workshops, the colonial myth Iracema, by José de Alencar, was challenged. Feminist analyses in conjunction with Diana Taylor’s approach to archives and repertoires underpin the critique of the novel. Next, aspects of the methodological approach to creation are shared, with an emphasis on cartographies of the self. It reflects on how the collective development of a counter-narrative to the patriarchal heritage summarised in Iracema contributes to the debate on decolonial artistic-pedagogical practices. Sea co lonial project CE. CE . (CE) workshops Alencar challenged Taylors Taylor s novel Next shared self counternarrative counter narrative artisticpedagogical artistic pedagogical (CE

RESUMO Mulheres do Mar: práticas performativas como crítica aos mitos coloniais patriarcais brasileiros – O texto analisa o projeto Mulheres do Mar, realizado com idosas da comunidade Serviluz em Fortaleza (CE). Através de oficinas de práticas performativas, questionou-se o mito colonial Iracema, de José de Alencar. Análises feministas articuladas com a abordagem dos arquivos e repertórios de Diana Taylor fundamentam a crítica do romance. Em seguida, compartilham-se aspectos da abordagem me-todológica de criação, com ênfase nas cartografias de si. Reflete-se como a elaboração coletiva de uma contranarrativa à herança patriarcal sintetizada em Iracema contribui para o debate sobre práticas artísti-co-pedagógicas decoloniais. Mar CE. CE . (CE) questionouse questionou se Alencar romance seguida compartilhamse compartilham metodológica me todológica criação si Refletese Reflete artísticopedagógicas artísti co pedagógicas decoloniais (CE