Resumo: Este estudo reflete sobre o potencial de uma metodologia feminista baseada em uma imersão no processo criativo da peça De Gênero. O opressor não seria tão forte se não tivesse cúmplices entre os oprimidos de Pandora Colectivo Teatral, Chile. Para este fim, caracterizo o patriarcado como uma forma de produção de conhecimento em vigor que estrutura as relações sociais e todos os vínculos com a vida. Pesquiso nas respostas de diferentes feminismos a partir de dimensões epistemológicas e metodológicas, e reflito sobre como o trabalho teatral do Colectivo Pandora se articula como uma metodologia com princípios feministas e quais são suas potencialidades. Nossas lutas como mulheres no mundo nos obrigam a subverter os limites normativos de uma construção patriarcal do conhecimento, a reconhecer, valorizar e promover práticas que nos permitam repensar o conhecimento para além das fronteiras acadêmicas. Resumo Gênero Teatral Chile fim vida metodológicas potencialidades reconhecer acadêmicas

Abstract: This study reflects on the potential of a feminist methodology based on the immersion in a creative process related to the theatre play Gender. The oppressor would not be so strong if he did not have accomplices among the oppressed by Pandora Colectivo Teatral, based in Chile. For this purpose, I characterize patriarchy as a knowledge-production force that structures social relations and every aspect of life. I draw on insights from different feminist traditions emerging from epistemological and methodological dimensions, and I reflect on how the theatrical work of Colectivo Pandora articulates a methodology with feminist principles, and what are its potentialities. Our struggles as women in the world require us to subvert the normative limits of patriarchal knowledge construction and recognize, value, and promote practices that allow us to rethink knowledge beyond academic boundaries. Abstract Gender Teatral Chile purpose knowledgeproduction production life dimensions principles potentialities recognize value boundaries

Resumen: El presente estudio reflexiona sobre las potencialidades de una metodología feminista a partir del proceso creativo de la obra De género. El opresor no sería tan fuerte si no tuviese cómplices entre los propios oprimidos de Pandora Colectivo Teatral, Chile. Para el cometido, realizo una caracterización del patriarcado como forma de producción de conocimiento vigente que estructura las relaciones sociales y todo vínculo con la vida. Indago en las contestaciones de distintos feminismos desde dimensiones epistemológicas y metodológicas, y reflexiono cómo es que el trabajo teatral de Colectivo Pandora se articula como una metodología con principios feministas y cuáles son sus potencialidades. Nuestras luchas como mujeres en el mundo nos exigen subvertir los límites normativos de una construcción del saber patriarcal, para reconocer, valorar y potenciar prácticas que nos permitan repensar el conocimiento más allá de las fronteras académicas. Resumen género Teatral Chile cometido vida metodológicas patriarcal reconocer académicas

ABSTRACT Subtitling and audiovisual translation (AVT) in general, as language practices, play a crucial role in shaping social imaginary and contributing to the construction of identities. But far too little attention has been paid to the translation of documentaries, especially those produced in the so-called “global” South and translated into other languages, such as English. Therefore, this paper aims to gain a further understanding of translating documentaries, particularly looking at subtitles from a transnational perspective intertwining translation and feminist studies. We will elaborate on the importance of translators’ careful listening as a critical factor in the translation of documentaries produced based on personal narratives. The object of analysis comprises excerpts of subtitles, audio recordings, and frames extracted from Brazilian documentaries chronicling the lives and work experiences of waste pickers (including poor, Black women) set in contexts of extreme poverty. The research proposes a parallel between the story of Pandora and its many translations and interpretations and the representation of women in the subtitled versions of the documentaries, thus suggesting that such a theoretical perspective can shed light on how women’s words and works can become fertile in their difference, and perhaps their deviance. AVT (AVT general practices identities socalled so called global “global languages English Therefore studies translators narratives recordings including poor poverty womens s difference deviance

RESUMO A tradução para legendas e a tradução audiovisual (TAV) como um todo, enquanto práticas linguísticas, desempenham um papel crucial na formação do imaginário social e na construção de identidades. No entanto, pouca atenção tem sido direcionada para a tradução de documentários, principalmente aqueles produzidos no chamado Sul “global” e traduzidos para outras línguas, como o inglês. Sendo assim, este trabalho tem como objetivo aprofundar a compreensão da tradução de documentários, mais especificamente com foco na tradução para legendas sob uma perspectiva transnacional, explorando a interligação entre tradução e estudos feministas. Abordaremos a importância da escuta atenta do tradutor como fator crítico na tradução de documentários produzidos a partir de narrativas pessoais. O objeto de análise compreende trechos de legendas, áudio e frames extraídos de documentários brasileiros que narram a vida e as experiências de trabalho de catadoras e catadores de materiais recicláveis (incluindo mulheres negras) em contextos de extrema pobreza. A pesquisa propõe um paralelo entre o mito de Pandora e suas diversas traduções e interpretações, bem como as representações da mulher nas versões legendadas dos documentários, sugerindo, assim, que tal perspectiva teórica pode lançar luz sobre como as palavras e obras das mulheres podem se tornar férteis em suas diferenças e possivelmente em seus desvios. TAV (TAV todo linguísticas identidades entanto global “global línguas inglês assim transnacional feministas pessoais incluindo negras pobreza interpretações sugerindo desvios

ABSTRACT The Creation section has the objective of publish unpublished texts and materials by writers and/or artists, photographers, designers, as well as unpublished documents found in the USP IEB Archive. “Bars and boxes”, by Ana Paula Pacheco, gathers two tales about the feminine. Pacheco is writer and professor of Literary Theory and Comparative Literature in the Sao Paulo University. “Pedaços de sonho, seguidos de considerações tecidas pelo Urso siberiano” benefits from the studies by Freud (1972), Schnitzler (1987; 2008) and Nastassja Martin (2021). In addition, “Pandora, a barata” freely incorporates the studies by Erwin and Dora Panofsky (2009). andor or artists photographers designers Archive Bars boxes, boxes , boxes” feminine University Pedaços sonho siberiano 1972, 1972 (1972) 1987 (1987 2008 2021. 2021 . (2021) addition Pandora, Pandora “Pandora barata 2009. 2009 (2009) 197 (1972 198 (198 200 202 (2021 (2009 19 (197 (19 20 (202 (200 1 (1 2 (20 ( (2

RESUMO A seção Criação tem por objetivo publicar textos e materiais inéditos de escritores e/ou artistas, fotógrafos, desenhistas, além de documentos inéditos encontrados no Arquivo do IEB/USP. “Grades e caixas”, de Ana Paula Pacheco, reúne dois contos sobre o feminino. Pacheco é escritora e professora de Teoria Literária e Literatura Comparada na Universidade de São Paulo. “Pedaços de sonho, seguidos de considerações tecidas pelo Urso siberiano” se beneficia de estudos de Freud (1972), e de narrativas de Schnitzler (1987; 2008) e de Nastassja Martin (2021). “Pandora, a barata” incorpora livremente estudos de Erwin e Dora Panofsky (2009). eou ou artistas fotógrafos desenhistas IEBUSP IEB USP IEB/USP Grades caixas, caixas , caixas” feminino Paulo Pedaços sonho siberiano 1972, 1972 (1972) 1987 (1987 2008 2021. 2021 . (2021) Pandora, Pandora “Pandora barata 2009. 2009 (2009) 197 (1972 198 (198 200 202 (2021 (2009 19 (197 (19 20 (202 (200 1 (1 2 (20 ( (2

Mucormycosis is a rare, rapidly spreading, fulminant, opportunistic infection that is caused by a group of filamentous molds. During the second wave of COVID-19 India reported most of the cases of mucormycosis which is termed as COVID-19-associated mucormycosis (CAM). Aim The purpose of this study is to describe and understand the clinical and radiographic findings related to COVID-19 associated rhinomaxillary mucormycosis. Methods In this observational study 76 individuals with proven rhinomaxillary mucormycosis were included. The demographic profile, predisposing factors, anatomic structures involved, oral manifestations, radiographic findings management, and 90-day mortality were recorded and analyzed. Results Among 76 individuals with COVID-19-associated rhinomaxillary mucormycosis diabetes mellitus was present in 93.42% of cases. Almost all patients received corticosteroids during COVID-19 treatment. The maxilla was most commonly involved in around 98.6% of cases. Interestingly 1 case involving the mandible was noted and the maxillary sinus was the most commonly involved. Mortality occurred in 1.31% (n=1) of cases. Conclusion Diabetes was the most common predisposing factor. Administration of corticosteroids was evident. A considerable number of patients developed diabetes during the treatment of COVID-19. Early signs and oral manifestations of rhinomaxillary mucormycosis play a pivotal role in the early diagnosis and prompt treatment to reduce mortality and morbidity in COVID-19 associated-rhinomaxillary mucormycosis patients. rare spreading fulminant molds COVID19 COVID 19 COVID-1 COVID19associated COVIDassociated CAM. CAM . (CAM) 7 included profile factors management 90day day 90 analyzed 9342 93 42 93.42 986 98 6 98.6 131 31 1.31 n=1 n1 n (n=1 factor evident COVID19. 19. associatedrhinomaxillary COVID1 COVID- (CAM 9 934 4 93.4 98. 13 3 1.3 n= (n= 93. 1. (n

Resumen Este artículo revisa instancias clave de la recepción de Machado de Assis en español, particularmente en Colombia, subrayando cómo se han hecho esfuerzos importantes en la traducción del carioca, aunque no suficientes para consolidar el reconocimiento por parte del gran público, pero también agudos análisis y profundizaciones críticas. Es a partir de algunas de estas referencias que aquí hacemos consideraciones sobre las formas de traducir la complejidad de Dom Casmurro, en particular en lo que se refiere a la representación de la mujer y a la caracterización de lo femenino en la obra, para el caso hipostasiado en la enigmática referencia al "cofrecito de Pandora". español Colombia carioca público críticas Casmurro obra cofrecito Pandora. Pandora . Pandora"

Abstract This article reviews pivotal instances of the reception of Machado de Assis in Spanish, particularly in Colombia. It underlines notable efforts regarding the translation of the carioca, although not notable enough to consolidate recognition among the general public. It also asses critical deepenings presented in academic contexts and projects some of those considerations to the praxis of translating Dom Casmurro's complexity, in particular regarding the representation of women and the characterization of the feminine in the novel, in this case, hypostasized in the enigmatic reference to "Pandora's purse". Spanish Colombia carioca public Casmurros Casmurro s complexity novel case Pandoras Pandora purse. purse . purse"

Resumo Este artigo faz uma revisão de instâncias chaves da recepção de Machado de Assis em espanhol, em particular na Colômbia, sublinhando como tiveram lugar não apenas importantes esforços na tradução do carioca - embora não suficientes para consolidar o reconhecimento por parte do público geral -, bem como aguçadas análises e aprofundamentos críticos. É a partir de alguns desses referentes que aqui se tecem considerações sobre modos de traduzir a complexidade de Dom Casmurro, em particular no que respeita à representação da mulher e à caraterização do feminino na obra, para o caso hipostasiado na enigmática referência à "boceta de Pandora". espanhol Colômbia , críticos Casmurro obra boceta Pandora. Pandora . Pandora"

Resumen: Este trabajo propone una lectura de Pandora en el Congo (2005) de Albert Sánchez Piñol, en tanto novela de aventuras. Se parte de la hipótesis de que el autor ofrece una reflexión metaliteraria a partir de una estructura enmarcada en la que se reconocen varios planos y relatos, que permiten revisar procedimientos literarios y las narrativas de ciencia ficción, romántica y de terror. El análisis se desarrolla, además, considerando el contexto colonialista que conlleva este género. En el caso de esta novela, el contexto se subvierte y ello da lugar a reformular los conceptos de otredad y exotismo. El escenario planteado, el Congo en el corazón africano, es el espacio propicio para deliberar sobre las relaciones binarias cristalizadas y la asimetría cultural establecidas por el imperialismo europeo

Abstract: This paper proposes a reading of Pandora in the Congo (2005) by Albert Sánchez Piñol, as an adventure novel. It is based on the hypothesis that the author offers a metaliterary reflection based on a framed structure, where various planes and stories are recognized, that allow reviewing literary procedures and science fiction, romantic and horror narratives. The analysis is also developed considering the colonialist context that this genre entails. In the case of this novel, the context is subverted and this leads to reformulating the concepts of otherness and exoticism. The proposed scenario, the Congo in the African heart, is the propitious space to deliberate on the crystallized binary relations and the cultural asymmetry established by European imperialism.

Resumo: O trabalho propõe uma leitura de Pandora en el Congo (2005), de Albert Sánchez Piñol, como romance de aventuras. A nossa hipótese inicial é que o autor oferece uma reflexão metaliterária a partir de uma estrutura enmarcada na que se reconhecem diversos planos e relatos, que permetem revisar procedimentos literários e as narrativas da ciência ficção, romântica e de terror. O desenvolvimento da análise se faz, aliás, considerando o contexto colonialista que esse gênero implica. No caso deste romance, o contexto se subverte, fato que faz com que seja possível reformular os conceitos de outredade e exotismo. O cenário que se plantéia, o Congo no coração da África, é o local propício para deliberar sobre as relações binárias cristalizadas e a assimetria cultural estabelecidas pelo imperialismo europeu

Resumo: A teoria freudiana da feminilidade é objeto de vários estudos. Tencionamos trazer uma contribuição a esse debate, mas, em vez de abordarmos os textos em que a mulher aparece explicitamente sob a pena freudiana, cuidamos de ler um texto específico de Freud em que ela não aparece, mas deveria aparecer. Trata-se do texto Zur Gewinnung des Feuers, de 1932, em que o pai da psicanálise interpreta o mito de Prometeu. O fato é que, em Hesíodo, a figura da primeira mulher (Pandora) é central, e sem ela o mito não pode ser compreendido em sua inteireza. Na versão de Freud, Pandora inexiste - ela não entra em consideração e não é sequer mencionada. Por isso, em vez do mito de Prometeu e Pandora, temos em Freud o mito de Prometeu - e isso não é sem consequências. Assim, a escrita masculina de Freud jazeria não somente ali onde ele discorre sobre a mulher, mas também onde ela sequer aparece.

Abstract: The Freudian theory of femininity is the object of several studies. We intend to make a contribution to this debate, but instead of approaching the Freudian texts in which woman appears explicitly, we aimed to read a specific Freudian text in which she appears not, although she should do so. It is the 1932 text Zur Gewinnung des Feuers, in which the father of psychoanalysis interprets the myth of Prometheus. The fact is that, in Hesiod, the figure of the first woman (Pandora) is central, and one cannot comprehend the myth in its totality without her. In Freud’s version, Pandora does not exist - she is not taken in consideration and is not even mentioned. Therefore, instead of the myth of Prometheus and Pandora, we have in Freud the myth of Prometheus - and that does not come without consequences. Thus, Freud’s masculine writing would lie not only where he expatiates on women, but also where she does not even appear.

ABSTRACT Lasana-INIA is a spring bread wheat variety (Triticum aestivum L.) originated from a cross carried out in the Wheat Breeding Project of the Agricultural Research Institute (INIA), in the Quilamapu Regional Research Center, Chillán, in 1996. It has a semi-prostrate growth habit in the seedling stage. The adult plant is medium height and varies between 85 and 100 cm. The spike is white with long awns along its full length. The grain is red, vitreous in appearance, and elliptical in shape. The weight of 1,000 seeds varies between 42 to 49 g. It was sown in mid-August in the Santa Rosa Experimental Station (36°31' S; 71°54' O), Chillán; head emergence occurred 95 to 100 days after sowing. On average, the yield of Lasana-INIA sown under irrigation in Yungay and Human was 0.5% and 3.1% higher than the control variety Pandora-INIA. In Chillán, the average yield over a five-year period was 4.1% lower than Pandora-INIA, but with differences between years. Under rainfed conditions, the yield of Lasana-INIA sown in Carillanca and Purranque was 9.5% and 4.2% higher than Pandora-INIA. Lasana-INIA is a bread wheat with a good hectoliter weight and a hard texture. According to its Zeleny sedimentation (cc) value, wet gluten (%) and protein (%) contents, it can be classified as strong wheat. It has a high W value, and a good P/L ratio.

RESUMEN Lasana-INIA es una variedad de trigo harinero (Triticum aestivum L.) de primavera que proviene de un cruzamiento efectuado en el Proyecto de Fitomejoramiento de Trigo del Instituto de Investigaciones Agropecuarias (INIA), en el Centro Regional de Investigación Quilamapu, Chillán, el año 1996. Es una variedad de hábito primaveral, de crecimiento semi-rastrero al estado de plántula. La altura de la planta adulta se considera mediana, y varía entre 85 y 100 cm. La espiga es de color blanco, con barbas largas presentes en toda su extensión. El grano es de color rojo, aspecto vítreo, y forma elíptica. El peso de 1.000 semillas varía entre de 42 a 49 g. Sembrado a mediados de agosto en el Campo Experimental Santa Rosa (36°31' S; 71°54' O), Chillán, la emisión de espigas ocurre 95 a 100 días después de la siembra. En las localidades de riego, Yungay y Human, 'Lasana-INIA' alcanzó, en promedio, un rendimiento 0,5% y 3,1% mayor que la variedad testigo Pandora -INIA. En la localidad de Chillán, en promedio de los cinco años presentó un rendimiento inferior a Pandora-INIA en 4,1%, pero con diferencias entre años. En suelos de secano húmedo, localidades de Carillanca y Purranque, alcanzó un rendimiento superior en un 9,5% y 4,2% respectivamente, respecto de 'Pandora-INIA. 'Lasana-INIA' es un trigo de buen peso del hectolitro y de textura dura. Las cifras de sedimentación de Zeleny (cc), glúten húmedo (%) y de proteína (%) lo clasifican como trigo fuerte. Presenta un valor de fuerza de trabajo W alto, y una buena relación P/L.

Limitations of conventional treatment and dosage forms prompted the investigation of novel approaches that combine efficacy, selectivity and fewer adverse effects. These are the main promises of nanomedicine, generally defined as the application of nanotechnology to the biomedical field. Despite the considerable advances over the years and the large number of publications resulting from the growth of nanomedicine, there are still many hurdles and unknown factors limiting its successful translation from promise to reality. These factors range from the lack of standardization in the terminology and regulations, to the lack of understanding of interactions between nanocarriers and the biological system, and their influence on drug pharmacodynamics. In this manuscript, we aim at presenting and discussing concepts and terminologies used in the nanomedicine field and examining the main types of nanocarriers and their effects to modulate biological barriers and aid drug transport, bioavailability and targeting.

Abstract: This article critically analyzes the presence of misogyny and violence against women in the symbolic construction of two female figures present in cosmogonic myths of great value to Western culture: Pandora and Eve. The relevance of this analysis resides in the character of these narratives as stories that recount the genesis of sexist differentiation between men and women. Specifically, this article maintains that two primary elements emerge from the myths of Pandora and Eve and contribute to the reproduction of symbolic violence towards women: feminine devaluation and the imperative of being for another. The article concludes that visualizing the underlying elements of symbolic violence in these narratives is an essential exercise in the effort to unravel the connections between past and present inscribed in cultural expressions that naturalize violence against women.

Resumen: Este artículo analiza críticamente la presencia de la misoginia y de la violencia ejercida hacia las mujeres en la construcción simbólica de dos figuras femeninas presentes en mitos cosmogónicos de gran valor para la cultura occidental: Pandora y Eva. La relevancia de este análisis radica en que estas narraciones habitan aquellos relatos que están en la génesis de la diferenciación sexista entre hombres y mujeres. De manera específica, se establece que en los relatos de Pandora y de Eva emergen dos elementos cardinales que reproducen la violencia simbólica hacia las mujeres: la devaluación femenina y el imperativo de ser para otro. Por último, se declara que visibilizar los elementos de violencia simbólica que subyacen en estas narraciones es un ejercicio ineludible cuando se busca desentrañar las conexiones entre pasado y presente inscritas en las expresiones culturales que naturalizan la violencia hacia las mujeres.

The atmospheric remote monitoring systems are essentials to understand the dynamic phenomena that occur in our atmosphere. In December 2016 a MAX-DOAS (Multi-AXis DOAS) instrument - called Pandora - that allows to quantify the ozone total column concentration among other atmospheric parameters, was installed in the Laser and Applications Research Center (CEILAP), Institute of Scientific and Technical Research for Defense (CITEDEF-MINDEF), Villa Martelli, Buenos Aires province. The system is based on the DOAS (Differential Optical Absorption Spectroscopy) technique and provides information about the daily and seasonal evolution of the gas under study. Measurements carry out by this instrument and inter-comparisons with data retrieved by a Dobson spectrophotometer of the National Meteorological Service (SMN) - located in Villa Ortúzar, CABA - and satellite data are presented.

Los sistemas de monitoreo remoto atmosférico son vitales para comprender los fenómenos dinámicos que ocurren en nuestra atmósfera. En diciembre de 2016 se instaló en el Centro de Investigaciones en Láseres y Aplicaciones (CEILAP), Instituto de Investigaciones Científicas y Técnicas para la Defensa (CITEDEF-MINDEF), Villa Martelli, provincia de Buenos Aires, un instrumento MAX-DOAS (Multi-AXis DOAS) - denominado Pandora - que permite cuantificar la concentración en columna total del ozono (O3), entre otros parámetros atmosféricos. El sistema se basa en la técnica DOAS (Differential Optical Absorption Spectroscopy) y brinda información sobre la evolución diaria y estacional del gas en estudio. Se presentan mediciones efectuadas por dicho instrumento, e intercomparaciones con datos obtenidos por un espectrofotómetro Dobson del Servicio Meteorológico Nacional (SMN) - localizado en Villa Ortúzar, CABA - y datos satelitales.

HTLV-1 is an endemic retrovirus in Peru , occasionally associated with some isolated opportunistic infections. We present the case of a 41-year-old male poultry farmer with a history of pulmonary tuberculosis treated 6 months ago. He was admitted to emergency due to alteration of conscience, dysarthria and watery diarrhea; the examination revealed confluent plaques in the oral cavity, violaceous maculopapular lesions and crusted plaques. Skin biopsy confirmed Kaposi's sarcoma and crusted scabies; in addition, cervical lymphadenopathies showed evidence of BAAR (++) in the microscopic study with Auramine test, and in the examination of feces with modified Zielh Nielsen's stain, Cystoisospora belli oocyst was observed, and trimetropin / sulfametozaxol received antituberculous treatment. HTLV-1 was confirmed by immunofluorescence. In the fundus of the eye cytomegalovirus retinitis was evidenced, he received ganciclovir. At three weeks of hospital admission he died due to severe respiratory failure. We discuss the presence of multiple opportunistic co-infections in a patient with immunosuppression by HTLV-1.

HTLV-1 es un retrovirus endémico en Perú, relacionado ocasionalmente con algunas infecciones oportunistas aisladas. Presentamos el caso de un varón de 41 años, avicultor, con antecedente de TBC pulmonar tratado hace 6 meses. Ingresó a emergencia por presentar alteración de conciencia, disartria y diarrea acuosa. Al examen físico se evidenciaron placas confluentes en cavidad oral, lesiones máculo-papulares violáceas y placas costrosas; por biopsia de piel se confirmó sarcoma de Kaposi y sarna costrosa, además adenopatías cervicales que al estudio microscópico con test de Auramina mostró BAAR (++) y en el examen de heces con tinción Zielh Nielsen modificado, se evidenció ooquiste de Cystoisospora belli. Recibió trimetropin / sulfametozaxol, tratamiento antituberculoso. Se confirmó HTLV-1 por inmunofluorescencia. En el fondo de ojo se observó retinitis por citomegalovirus, recibió ganciclovir. A las tres semanas del ingreso hospitalario, falleció por insuficiencia respiratoria severa. Se discute la presencia de múltiples co-infecciones oportunistas en un paciente con inmunosupresión por HTLV-1.

ABSTRACT: Pollination depends on morphological and behavioural adjustments between visitors and plants. Some plant species as Ipomoea bahiensis (Convolvulaceae) provide nectar and pollen to visitors and occur in anthropic areas, therefore becoming an important source of resources for the maintenance of native pollinating insects. However, what is the efficiency of each floral visitor species for the pollination of this plant species? What morphological and behavioural characteristics determine the pollinators? In this regard, this study evaluated the I. bahiensis flower and visitor morphology in a semi-arid area and the foraging behaviour of these floral visitors. Also, the efficiency rate of potential pollinators was quantified. Bees and butterflies visited the flowers of I. bahiensis, but the bees Melitoma spp., Apis mellifera (Linnaeus, 1758), and Pseudaugochlora pandora (Smith, 1853) were the most frequent visitors. These species presented medium-sized and compatible with the floral tube width. In addition to the size, these bees presented behaviour that favoured the contact with the reproductive structures of the flower, as evidenced by the efficiency test of the flower visits. Although butterflies often collect nectar from the flowers, they do not present characteristics that could result in pollination. Hence, medium-sized bees played the role of efficient pollinator of I. bahiensis.

Pandora Complexa é um coletivo artístico formado por Júlio Dolbeth e Rui Vitorino dos Santos, e também o nome do blogue artístico e do projeto de arte na world wide web do coletivo destes dois artistas que vivem e trabalham na cidade do Porto. Ambos formados em Design de Comunicação. Esta comunicação é referente à ultima mostra em espaço de galeria do projeto Pandora Complexa, realizada no Colégio das Artes da Universidade de Coimbra, integrada na exposição "Cinema Quarteto, Quatro Salas, Quatro Artistas", de 23 de setembro a 7 de novembro de 2016.

Pandora Complexa is the name for an artistic collective formed by Júlio Dolbeth and Rui Vitorinodos Santos. It is also the name ofanartistic blog and aworldwide art's project from these two artists' collective wholiveand workin Oporto, Portugal. Both graduated in Communication Design. This communication refers to the last exhibition from Pandora Complexa exposed in Coimbra's University of Arts College, integrated in the exhibition "Cinema Quarteto, Quatro Salas, Quatro Artistas" from 23rd September until 7th November of 2016.