Abstract: Starting from the commemoration of the 50th anniversary of the Folia Histórica del Nordeste journal, we propose to make a balance and reflect on its relationship with the communication and discussion of archaeological advances in the Chaco region and NEA in general. When reviewing the journal's production, scientific events and related institutions, a late connection with archeology is clear, coinciding with the beginning of the first stage of systematics approaches in the South American Gran Chaco. Throughout this journey, there is also a history of shared wills that contributed to merging the discipline at the regional level. Over time, the scope of communications was expanded, and agreements were formalized to ensure its sustainability. Finally, we highlight the relevance of the journal as a space for discussion within the discipline and as a favorable environment to stimulate the interdisciplinary dialogue that the region requires.

Resumen: A partir de la conmemoración del 50 aniversario de la Revista Folia Histórica del Nordeste, nos proponemos hacer un balance y reflexionar sobre su relación con la comunicación y discusión de los avances arqueológicos en la región chaqueña y NEA en general. Al repasar la producción de la revista, los eventos científicos y las instituciones relacionadas se evidencia una conexión tardía con la arqueología, coincidiendo con el inicio de la primera etapa de investigaciones sistemáticas en el Gran Chaco sudamericano. A lo largo de este recorrido, también se observa una historia de voluntades compartidas que contribuyeron a consolidar la disciplina a nivel regional. Con el tiempo, se ampliaron los alcances de las comunicaciones y se formalizaron acuerdos para garantizar su sostenibilidad. Finalmente, destacamos la relevancia de la revista como espacio de discusión dentro de la disciplina y, sobre todo, como un ámbito propicio para estimular el diálogo interdisciplinario que la región requiere.

Abstract Throughout the team’s investigations, efforts were made to build knowledge about the Cementerio Municipal de La Plata, which we understand to be in danger. It is characterized by forming a funerary landscape subject to a hermeneutic interpretation that accounts for its production, its material and symbolic organization, the circulation and differential reception of meanings by the various social moments and sectors that make up and have made up the city and its surroundings. However, this knowledge constructed from the research did not manage to engage the public outside the academic sphere. Recognizing that knowledge should be a shared construction with the community to which the Universidad Nacional de La Plata is dedicated and serves, we have proposed to promote a dynamic, inclusive, and organized exchange with the residents of the locality where the cemetery is located. To this end, we aim to rescue the historical and current funerary heritage value of the cemetery, based on the commitment to build an active and engaged citizenship that appropriates, narrates, and experiences its own local history. Ultimately, the goal is to find a formula that allows us to integrate some of the theoretical aspects of our our analytical framework and resources as researchers with the interests of the community.

Resumen A lo largo de las investigaciones del equipo se procuró construir un saber sobre el Cementerio Municipal de La Plata el cual entendemos en peligro. El mismo se caracteriza por conformar un paisaje funerario sujeto a una hermenéutica que da cuenta de la producción de este, su ordenación material y simbólica, la circulación y recepción diferencial de sentidos por los distintos momentos y sectores sociales que conforman y han conformado la ciudad y sus alrededores. Sin embargo, estos saberes construidos desde las investigaciones no llegaban a interpelar al público por fuera del ámbito académico. Reconociendo que el conocimiento debe ser una construcción compartida con la comunidad a la que la Universidad Nacional de La Plata se dedica y sirve, nos hemos propuesto fomentar un intercambio dinámico, inclusivo y organizado con los residentes de la localidad donde se encuentra el cementerio. Para ello apuntamos a rescatar el valor patrimonial funerario histórico y actual del mismo, a partir del compromiso por construir una ciudadanía activa y comprometida con apropiarse, narrar y vivenciar su propia historia local. Se apunta, en definitiva, a buscar una fórmula que nos permitiera integrar algunas de las aristas teóricas de nuestro recorte analítico y recursos como investigadores con los intereses de la comunidad

SIGNIFICANCE: Recent research reveals that the arid western interior of South Africa has experienced substantially more humid conditions on several occasions during the last 70 000 years. These findings, likely regional in scope, speak to changes to the resource base available to prehistoric hunter-gatherers. Together with recent archaeological findings from this region, there has emerged a growing recognition that previously archaeologically overlooked areas of South Africa's arid interior need to be included in models of human history. This presents new challenges for archaeologists and palaeoclimatologists, particularly given the prevalence of surficial, rather than stratified, archaeological evidence throughout much of this region.

Abstract This paper proposes a dialog between Brazilian archaeology and ethnology in order to understand intensive relationships among rock art elements. These interactions in rock art panels are analyzed in two regions of Minas Gerais (central Brazil), the Peruaçu River Valley and Diamantina, which have been studied by teams from the Archeology Sector of the Natural History Museum and Botanical Garden at the Federal University of Minas Gerais. We focus in this paper on the former region, but both are considered and feature many cases of interactions, in which new paintings or etchings are made on panels that already contain such rock art. The dialogue with ethnology focuses on some of the central notions presented in ethnographic studies and ethnological syntheses about Amerindian societies, mostly the strong relational character in their cosmologies and their understandings of non-human agency. The main finding from studying the broad-spanning indigenous graphic heritage from these two regions is to consider these relationships as a major element in the practice of rock art, a relationship in which both people and paintings are actors. elements Brazil, Brazil , Brazil) Diamantina region societies nonhuman non human agency broadspanning broad spanning actors

Resumo Este artigo se propõe a explorar o fenômeno das intensas interações entre grafismos rupestres, valendo-se da interlocução teórica entre Arqueologia e Etnologia indígena brasileiras. As interações em painéis rupestres são aqui analisadas em duas regiões de Minas Gerais: o Vale do Rio Peruaçu e Diamantina, áreas de pesquisa da equipe do Setor de Arqueologia do Museu de História Natural e Jardim Botânico da Universidade Federal de Minas Gerais (UFMG), enfatizando-se a primeira. Em ambas, há numerosíssimos casos de interações, quando novas pinturas (ou gravuras) são compostas em painéis que já estavam pintados (e/ou gravados). A interlocução com a Etnologia que aqui se faz tem como foco algumas das noções centrais apresentadas nos trabalhos etnográficos e nas sínteses etnológicas sobre sociedades ameríndias, sobretudo o caráter intensamente relacional de suas cosmologias e suas concepções sobre agência de não humanos. A proposta central, a partir do estudo dos acervos gráficos dessas duas regiões de Minas Gerais, é pensar a relação como elemento crucial da prática de pintar paredes rochosas já pintadas, relação essa em que pessoas e pinturas são, ambas, sujeitos. valendose valendo brasileiras Diamantina UFMG, UFMG , (UFMG) enfatizandose enfatizando primeira ambas ou gravuras e/ou eou gravados. gravados . gravados) ameríndias humanos central pintadas sujeitos (UFMG

RESUMEN La Tumba 3 del Templo XVIII-A de Palenque es el lugar en donde se localizó el entierro primario más antiguo conocido hasta el momento en este sitio arqueológico y, por lo tanto, la fuente más importante para acercarnos a una parte de la historia temprana de esta ciudad. En la cámara fue enterrado un hombre con escoliosis idiopática severa acompañado de una mujer. El hombre tenía restos de cinabrio en su pelvis con fines conservativos y simbólicos. Su ajuar funerario consistía en platos y cuencos rojos y negros del complejo cerámico Motiepa, jades, conchas, una máscara y unas hachuelas de un cinturón ceremonial. Las paredes y las jambas estaban decoradas con un fondo blanco de estuco con figuras en rojo realizadas con cinabrio. Desde el descubrimiento de esta tumba se ha especulado sobre su posible dueño: K’uk B’ahlam (431-435), Ch’a (435-487), B’utz’aj Sak Chiik (487-501) y Ahku’l Mo’ Naahb’ I (501-524), ya que ha sido considerada como el modelo de K’ihnich Janaab’ Pakal para realizar su propio mausoleo en el Templo de las Inscripciones. Pero el enigma continúa ya que recientes pruebas de radiocarbono la ubican antes que todos ellos (250-420 d. C.).

ABSTRACT Tomb 3 of Temple XVIII-A of Palenque is where the oldest complete burial known to date in this archaeological site was located and, therefore, the most important source to get closer to part of the early history of this city. A man with severe idiopathic scoliosis accompanied by a woman was buried in the chamber. The man had traces of cinnabar in his pelvis for conservative and symbolic purposes. His grave goods consisted of red and black plates and bowls (from the Motiepa complex), jades, shells, a mask, and hatchets from a ceremonial belt. The walls and jambs were decorated with a white stucco background with red figures made with cinnabar. Since the discovery of this tomb, there has been speculation about its possible owner: K’uk B’ahlam (431-435), “Ch’a” (435-487), B’utz’aj Sak Chiik (487- 501) and Ahku’l Mo’ Naahb’ I (501-524) since it has been considered as the model for K’ihnich Janaab’ Pakal to build his own mausoleum in the Temple of the Inscriptions. But the enigma continues since recent radiocarbon tests placed it before all of them (250-420 AD).

Resumo No presente artigo, propõe-se um diálogo entre registros históricos e arqueológicos da Amazônia, partindo da história indígena de longa duração do médio Solimões, em especial de seu último período associado às ocupações da Tradição Polícroma da Amazônia (TPA). Para isso, tratamos da história das relações entre fontes escritas e dados arqueológicos na Amazônia, notando como a arqueologia do colonialismo e a arqueologia documental podem fortalecer a compreensão contextual do registro arqueológico e elucidar o período mais tardio das ocupações associadas à TPA na região. Em seguida, apresentamos brevemente os contextos e as fontes analisadas, os métodos utilizados, assim como os resultados obtidos. A pesquisa se estende até o início do século XX, mas maior enfoque é dado ao estudo dos séculos XVI a XVIII. Na discussão, o objetivo é o de reavaliar a própria história da TPA e suas periodizações. A conclusão leva a um debate sobre rumos para expandir as possibilidades do diálogo entre história, arqueologia e etnologia da Amazônia e sobre a arqueologia do colonialismo amazônico. artigo propõese propõe Solimões TPA. . (TPA) isso região seguida analisadas utilizados obtidos XX XVIII discussão periodizações amazônico (TPA

Abstract In this paper, we propose a dialogue between Amazonian historical and archaeological records from the perspective of the long-term Indigenous History of the Middle Solimões area, especially its last period associated with the occupations of the Amazonian Polychrome Tradition (TPA). To this end, we will deal with the history of the relationships between written sources and archaeological data in the Amazon, noting how the Archaeology of Colonialism and Documentary Archaeology can strengthen the contextual understanding of the archaeological record and elucidate the later period of occupations associated with TPA in the region. Then, the contexts and sources analyzed and the methods used, as well as the results obtained, are briefly presented. The results obtained extend until the beginning of the 20th century, but focus will be given to the sixteenth to the eighteenth centuries. The objective of the final discussion is to reevaluate the history of TPA and its periodization. The conclusion leads to a debate on ways to expand the possibilities of dialogue between History, Archaeology and Ethnology of the Amazon and on the archaeology of Amazonian Colonialism. paper longterm long term area TPA. . (TPA) end region Then used presented th century centuries periodization (TPA

Archaeological research carried out in the Kruger National Park has identified several settlements of early African farmers that date to the Early Iron Age (EIA) - c. AD 200 - AD 1000. Two large EIA settlements, Le6 and Le7, were identified in 1977 on the southern bank of the Letaba River, opposite its confluence with the Tsende. Intermittent excavations of these sites were carried out between 1977 and 1989, but results have remained largely unpublished. These sites, which date back to the ninth century, have been the focus of new and ongoing research since 2021. The research has revealed that these communities were among the very first in the South African interior to participate in trade with the wider Indian Ocean world. This article contextualises the EIA of the Letaba River and surrounds with a specific focus on the history of research at Le6 and Le7 as well as briefly discusses new research at these sites.

Abstract: The unknown story of the excavation of a series of pre-Columbian tombs in the oasis of Pica, in northern Chile, is the main thread of this paper to discuss the massive archaeological looting in this valley of the Atacama Desert. The person responsible was the Governor of Tarapacá at the time, Recaredo Amengual, who, in 1921, donated the collection to the American Museum of Natural History in New York, USA, by means of several international commercial and shipping firms. Although the collection and its objects have been in this museum for more than a century, they have been completely ignored until now. By examining the archives associated with the collection, we can reveal the complexity of this story, which ultimately serves as an example to unveil other cases similar to that of Pica where collections are deposited in other museums and institutions around the world, and which is today the best material manifestation of Atacama’s spoliation and diaspora.

Resumen: La desconocida historia de la excavación de una serie de tumbas precolombinas en el oasis de Pica, al norte de Chile, es el hilo conductor en este artículo para discutir el masivo saqueo arqueológico en este valle del Desierto de Atacama. El responsable fue el intendente de Tarapacá de esos años, Recaredo Amengual, quien en 1921 donó la colección al American Museum of Natural History de Nueva York, en Estados Unidos, por intermedio de firmas comerciales y de transporte internacional. Aunque la colección y sus objetos llevan más de un siglo en este museo, seguían hasta ahora por completo ignorados. A través del examen de los archivos asociados a la colección se devela la trama de esta compleja historia, la que finalmente sirve de ejemplo para develar otros casos similares de Pica, depositados en diferentes museos e instituciones alrededor del mundo, hoy la mejor manifestación material del expolio y la diáspora de Atacama.

Abstract The purpose of this article is to demonstrate how the three travel narratives selected for this work can be considered “historical sources”. This hypothesis issues from the contributions of Alfredo Chavero, the author, who dated these in 1864. On top of recording a panorama of the past and contemporary occurrences of the places he visited in Colima, Durango, and in the Sierra Madre Oriental, he also narrated his experiences and impressions during his journey, and recorded geographical, socioeconomical, political, and cultural data as well as about the local customs. The core of this investigation lies, first, in my description of the historical context and in a biographical account of Chavero, in which I propose a series of stages for his life, grounded on the theory of generations; second, in my analysis of the narratives from a historiographical perspective, based on authorities on the subject; and, third, in my approach to travel literature, where I link the thoughts of specialists with my own ideas. I conclude that the stories here studied can be classified as historical sources; that Chavero was a liberal writer from his youth, who was known for advocating the arts, archaeology, and history, among other things; and that by combining different approaches when studying primary sources, we can enhance our research through a multidisciplinary interchange of perspectives.

Resumen El propósito de este trabajo es mostrar que los tres relatos de viaje seleccionados son una “fuente histórica”. Esta hipótesis se desprende de los aportes de Alfredo Chavero, su autor, quien los fechó en 1864: además de registrar una visión del acontecer pretérito e inmediato de los sitios que visitó en partes de Colima, Durango y la Sierra Madre Occidental, narró las experiencias e impresiones que tuvo durante su recorrido y registró datos geográficos, socioe-conómicos, políticos, culturales y costumbristas locales. En el cuerpo central del estudio, describo el contexto histórico e incluyo una semblanza de Chavero; propongo etapas de su vida, con base en la teoría de las generaciones; analizo los relatos desde una perspectiva historiográfica, fundamentada en autoridades en la materia, y también me acerco a la categoría “literatura de viajes”, entrelazando conceptos de especialistas en este género con ideas propias. Concluyo que los relatos referidos tienen el carácter que planteo; que desde joven Chavero fue un escritor liberal, que destacó por promover el arte, la arqueología y la historia, entre otras; y que, cuando conjugamos diversos enfoques al trabajar textos, adquirimos riqueza multidisciplinaria a través del intercambio de puntos de vista en nuestras investigaciones.

Summary This review reports on the work carried out in the From Space to Data: Smart Survey Methods in Architecture and Archaeology course, taught by Hungarian specialists Dr. Zsolt Vasáros and Master Mór Bendegúz Takáts, from January 9 to 18, 2023 at the Museo Nacional de Historia (MNH), Castillo de Chapultepec (National Museum of History, Chapultepec Castle), and organized by the Coordinación Nacional de Monumentos Históricos (CNMH, National Coordination of Historical Monuments, Mexico) within the framework of the Technical Contribution Agreement signed between the governments of Mexico and Hungary in 2020. The course was attended by 27 participants: archaeologists and architects affiliated with different work centers and two guests from the Universidad Nacional Autónoma de México (UNAM).

Resumen La reseña que aquí se presenta da cuenta del trabajo realizado en el curso Métodos de levantamientos métricos y topográficos para arquitectura y arqueología (From Space to Data: Smart Survey Methods in Architecture and Archaeology), que del 9 al 18 de enero de 2023 impartieron en el Museo Nacional de Historia (MNH), Castillo de Chapultepec, los especialistas húngaros doctor Zsolt Vasáros y maestro Mór Bendegúz Takáts, organizado por la Coordinación Nacional de Monumentos Históricos (CNMH) en el marco del Acuerdo de Aportación Técnica firmado entre los gobiernos de México y Hungría en 2020. Asistieron 27 participantes, arqueólogos y arquitectos adscritos a distintos centros de trabajo del Instituto Nacional de Antropología e Historia (INAH) y dos invitados de la Universidad Nacional Autónoma de México (UNAM).

RESUMEN En este trabajo nos proponemos abordar los modos de relación entre las prácticas productivas, su registro material y, en particular, la manera en la que éste se recupera a lo largo de la historia en un contexto andino. En esa línea, se presenta la propuesta teórico-metodológica desarrollada para las quebradas de Pajchela y Huayatayoc (Cusi Cusi, Puna de Jujuy), donde la evidencia agrícola corresponde desde, al menos, ocho siglos atrás hasta la actualidad. Tras un análisis de planimetrías, arquitectura y entrevistas a pobladores locales, se concluye que los muros de los campos de cultivo operan como indicadores identitarios y temporales, retomándose y manteniéndose conscientemente elementos del pasado para su construcción. Dichos muros son interpretados como producto de un gesto o actitud ontológica versada en el tejer, que es compartida y puesta en acción en diferentes ámbitos del mundo andino.

ABSTRACT In this paper we propose to address the modes of relationship between productive practices, their material record and the way in which this is recovered throughout history in an Andean context. According to this, we present the theoretical-methodologicalproposal developedfor the Pajchela and Huayatayoc ravines (Cusi Cusi, Puna de Jujuy), where the agricultural evidence corresponds from at least eight centuries ago to the present. After an analysis of planimetries, architecture and interviews with local inhabitants, it is concluded that the walls of the agricultural fields operate as identity and temporal indicators, consciously retaking and maintaining elements of the past for their construction. These walls are interpreted as the product of a gesture or ontological attitude based on weaving, which is shared and put into action in different areas of the Andean world.

Resumen Se presentan los primeros resultados obtenidos en el análisis arqueobotánico del material leñoso no carbonizado recuperado durante las excavaciones de la Sede Corporativa del Banco de la Provincia de Córdoba (Córdoba, Argentina). Se propone hacer un aporte a la historia local mediante el estudio de restos de madera recuperados durante trabajos de impacto arqueológico. Se identificó la presencia de tres plantas leñosas nativas (Vachellia sp., Neltuma sp. y Schinopsis sp.) y una no local del grupo de las Gimnospermas utilizadas para la manufactura de material para la construcción como vigas, durmientes y fragmentos de postes. Teniendo esto en cuenta, se propone que para los siglos XVIII al XX, las personas realizaron un aprovechamiento de la vegetación leñosa local y, en menor medida, la importación de especies leñosas no locales para la construcción.

Abstract The initial results of the archaeobotanical analysis of woody material recovered during the excavations of the Corporate Headquarters of the Banco de la Provincia de Córdoba, Córdoba, Argentina, are presented. The article aims to contribute to local history through the study of wooden remains recovered during archaeological impact work. The presence of three native woody plants (Vachellia sp, Neltuma sp and Schinopsis sp) and one non-local woody plant from the group of Gymnosperms used for the manufacture of construction material such as beams, sleepers, and posts, was recorded. Consequently, it is proposed that between the eighteenth and twentieth centuries people made use of the local woody vegetation and to a lesser extent imported non-local woody species for construction.

Abstract The aim of this paper is to explore the spatial-temporal depth of a sector of the Güemes neighborhood (Córdoba) where a new real estate project is currently under construction, in an area that was populated until the end of the 1990s by villa El Pocito, and until the mid-1940s by the La Cañada stream. Around this place where new constructions, ruins and absences coexist, we ask ourselves what memories and temporalities emerge among the different materialities and absences that cross this place, what do they tell us about those who gave life to this space in the past through their relationships and activities, and what do they reveal about the present? From a perspective that connects ethnography and archaeology, I will use the material collected and produced in a collective project on the history and transformations in this neighborhood, which included the collection and classification of current and old photographs; the consultation of local oral archives; the realization of photographic tours through the sector and interviews with neighbors.

Resumen El trabajo se propone explorar la profundidad espacio-temporal de un sector de barrio Güemes (Córdoba) donde actualmente se construye un nuevo proyecto inmobiliario, en un predio que fue poblado hasta finales de los ‘90 por villa El Pocito, y hasta mediados de la década del ‘40 por el arroyo La Cañada. En torno a este lugar donde conviven nuevas construcciones, ruinas y ausencias nos preguntamos ¿qué memorias y temporalidades emergen entre las diferentes materialidades y ausencias que atraviesan este lugar?, ¿qué nos cuentan ellas sobre quienes daban vida a este espacio en el pasado a través de sus relaciones y actividades?, ¿y qué revelan sobre el presente? Desde una perspectiva que enlaza la etnografía y la arqueología, recurro al material recolectado y producido en un proyecto colectivo sobre la historia y las transformaciones en este barrio, que incluyó la recolección y clasificación de fotografías actuales y antiguas; la consulta de archivos orales locales; la realización de recorridos fotográficos por el sector y de entrevistas a vecinos y vecinas.

Abstract Research conducted in recent years in the northern sector of the Calchaquí Valley has led us to rethink the importance of pastoral practices in areas traditionally associated with agriculture. Observations indicate that both activities would have been closely linked, both spatially and logistically, particularly in those sectors less impacted by market logics. This seems to correspond with the data obtained from the preliminary analysis of the archaeological record in which the agricultural sites show evidence of interaction with camelids, either within their perimeter or in close proximity. Accordingly, in this paper we proposed to address, from an ethnographic perspective, the place of animal husbandry/grazing in the daily life of the settlers and time budget requests of several activities implying links with agriculture. We believe that the contemporary study of these practices can help us to understand the materiality of the past, as well as contribute to a reading of the history of the valley based on the management of a notion of long time. This article presents the results of the ethnographic approach of three case studies in the region.

Resumen Las investigaciones realizadas en los últimos años en el sector norte del Valle Calchaquí nos han llevado a repensar la importancia de prácticas pastoriles en áreas tradicionalmente asociadas con la agricultura. Las observaciones actuales indican que ambas actividades habrían guardado un estrecho vínculo, tanto espacial como logístico, particularmente en aquellos sectores menos impactados por las lógicas de mercado. Esto parece corresponderse con los datos obtenidos a partir del análisis preliminar del registro arqueológico, en donde los sitios agrícolas presentan evidencia de interacción con camélidos, ya sea dentro de su perímetro o bien en clara proximidad. En función de ello, en este trabajo nos propusimos abordar, desde la etnografía, el lugar que ocupa la cría/pastoreo de animales dentro de la vida cotidiana de los pobladores y los requerimientos en términos del presupuesto temporal de las diversas actividades que suponen vínculos con la agricultura. Entendemos que el estudio contemporáneo de estas prácticas nos puede ayudar en la comprensión de la materialidad del pasado, a la vez que contribuir a una lectura de la historia del valle a partir del manejo de una noción de tiempo largo, de forma tal que este articulo expone los resultados del abordaje etnográfico sobre tres casos de estudio en la región.

RESUMEN Este artículo combina las metodologías multidisciplinarias de la historia oral con los estudios relacionados con las arqueologías de los medios para investigar el “Cine de Escaparates”, exposiciones que fueron realizadas por el fotógrafo ucraniano Sioma Breitman (1903-1980) en la vitrina de su estudio fotográfico, Casa Aurora, en la década de 1930 en el interior de Rio Grande do Sul (Brasil). Al construir una narrativa sobre un medio hasta ahora desconocido, proponemos una discusión sobre la memoria, el olvido y la importancia de nuevas perspectivas para la historia de los medios, especialmente del cine. Cine Escaparates, Escaparates , Escaparates” 19031980 1903 1980 (1903-1980 fotográfico Aurora 193 Brasil. Brasil . (Brasil) desconocido memoria cine 1903198 190 198 (1903-198 19 (Brasil 190319 (1903-19 1 19031 (1903-1 (1903- (1903 (190 (19 (1 (

ABSTRACT This article combines multidisciplinary methodologies, such as oral history and studies related to media archaeologies, to investigate the “Showcase Movie,” exhibitions made in the 1930s, in the interior of Rio Grande do Sul, by the Ukrainian photographer Sioma Breitman (1903-1980) at the showcase of his photographic studio, Casa Aurora. By building a narrative about a media hitherto unknown, we propose a discussion about memory, forgetting, and the importance of new perspectives for the history of media, especially cinema. methodologies archaeologies Showcase Movie, Movie 1930s s Sul 19031980 1903 1980 (1903-1980 studio Aurora unknown memory forgetting cinema 1903198 190 198 (1903-198 190319 19 (1903-19 19031 1 (1903-1 (1903- (1903 (190 (19 (1 (

RESUMO O presente artigo combina metodologias multidisciplinares, como a história oral e os estudos relacionados às arqueologias das mídias, para investigar o “Cinema de Vitrine”, exibições feitas nos anos de 1930, no interior do Rio Grande do Sul, pelo fotógrafo ucraniano Sioma Breitman (1903-1980) na vitrine de seu estúdio fotográfico, a Casa Aurora. Ao construir uma narrativa sobre uma mídia até então desconhecida, propomos uma discussão sobre memória, esquecimento e a importância de novos olhares para a história das mídias, em especial do cinema. multidisciplinares mídias Cinema Vitrine, Vitrine , Vitrine” 1930 Sul 19031980 1903 1980 (1903-1980 fotográfico Aurora desconhecida memória cinema 193 1903198 190 198 (1903-198 19 190319 (1903-19 1 19031 (1903-1 (1903- (1903 (190 (19 (1 (