Abstract The Anais Brasileiros de Dermatologia, published since 1925, is the most influential dermatological journal in Latin America, indexed in the main international bibliographic databases, and occupies the 50th position among the 70 dermatological journals indexed in the Journal of Citations Reports, in 2022. In this article, the authors present a critical analysis of its trajectory in the last decade and compare its main bibliometric indices with Brazilian medical and international dermatological journals. The journal showed consistent growth in different bibliometric indices, which indicates a successful editorial policy and greater visibility in the international scientific community, attracting foreign authors. The increases in citations received (4.1 ×) and in the Article Influence Score (2.9×) were more prominent than those of the main Brazilian medical and international dermatological journals. The success of Anais Brasileiros de Dermatologia in the international scientific scenario depends on an assertive editorial policy, on promptly publication of high-quality articles, and on institutional stimulus to encourage clinical research in dermatology.

ABSTRACT This article attempts to link literature and cinema through the concept of resistance, developed by Alfredo Bosi in the literary field, as a form of opposition to any type of violence and exploitation. For Bosi, this ethical concept is the unbreakable link that unites a writer to his or her historical moment. In Stromboli land of God (1949-50) and Francis, God’s Jester (1950), Rossellini turns to the sacred to reaffirm the forces of life in a world that had just emerged from the Second World War. In his film adaptation of the Gospel according to Saint Matthew (1964), Pier Paolo Pasolini uses the Scriptures as an instrument of opposition to a form of capitalism based only on technique, on utilitarian thinking and on increasingly exacerbated forms of consumption.

RESUMO Este artigo intenta realizar uma articulação entre a literatura e o cinema através do conceito desenvolvido por Alfredo Bosi no campo literário da resistência como forma de oposição a qualquer tipo de violência e exploração. Para o pensador brasileiro, esse conceito ético é o elo inquebrantável que une o escritor ao seu momento histórico. Em Stromboli terra de Deus (Stromboli terra di Dio, 1949-50) e Francisco arauto de Deus (Francesco giullare di Dio, 1950) Roberto Rossellini se volta para o sagrado para reafirmar as forças da vida num mundo que acabara de sair da Segunda Guerra Mundial. Em sua adaptação para o cinema do Evangelho segundo São Mateus (Il Vangelo Secondo Matteo, 1964) Pier Paolo Pasolini se serve do texto das escrituras como instrumento de oposição ao frio capitalismo da técnica, do pensamento utilitário e das formas cada vez mais exacerbadas de consumo.

Abstract Female androgenetic alopecia or female-pattern hair loss (FPHL) is highly prevalent and has a great impact on the quality of life. The treatment is a routine challenge in dermatological practice, as many therapeutic options have a limited level of evidence and often do not meet patients expectations. Lack of knowledge of the pathogenesis of the hair miniaturization process and the factors that regulate follicular morphogenesis restricts the prospect of innovative therapies. There is also a lack of randomized, controlled studies with longitudinal follow-up, using objective outcomes and exploring the performance of the available treatments and their combinations. Topical minoxidil, which has been used to treat female pattern hair loss since the 1990s, is the only medication that has a high level of evidence and remains the first choice. However, about 40% of patients do not show improvement with this treatment. In this article, the authors critically discuss the main clinical and surgical therapeutic alternatives for FPHL, as well as present camouflage methods that can be used in more extensive or unresponsive cases.

ABSTRACT This article reflects on the role of images in rhetorical techniques. The theme will be Covid-19-related deaths in Brazil. To this end, two covers from Brazilian newspapers namely, O Globo, from Rio de Janeiro, and Folha de S. Paulo, from São Paulo, compose the corpus. More specifically, the covers were published in the editions issued after the country registered over 100,000 and 200,000 Covid-19-related deaths. The objective is to show the argumentative role of metonymy and repetition in the corpus texts. The images presented in the study were relevant to the two cover compositions. O Globo used photos of several people who died from the disease. Folha de S. Paulo reproduced shoes that had been worn by some of the victims. The analysis is based on theoretical assumptions about rhetorical images by rhetoric and new rhetoric scholars.

RESUMO Este artigo busca refletir sobre o funcionamento de uma das técnicas retóricas usadas em discursos: as figuras. A abordagem será feita com base em mortes provocadas por Covid-19 no Brasil. Para isso, consideram-se como corpus de estudo duas capas de jornais brasileiros, o carioca O Globo e o paulistano Folha de S. Paulo, mais especificamente as edições que registram quando o país ultrapassou as 100 mil e as 200 mil mortes pelo coronavírus. O objetivo é mostrar o papel argumentativo que a metonímia e a repetição imprimem aos textos em questão. Essas figuras foram relevantes para a composição das duas capas. A de O Globo utiliza fotos de várias pessoas que morreram por causa da doença. A da Folha de S. Paulo reproduziu calçados usados por algumas das vítimas. A análise se fundamenta em pressupostos teóricos de estudiosos da Retórica e da Nova Retórica, especialmente no que diz respeito às figuras retóricas.

Abstract A plethora of prolonged COVID-19 symptoms, or late manifestations has been reported after acute disease and labeled “post-COVID”. The aim of this study was to identify the prevalence of and risk factors for post-COVID up to 12 weeks after the onset of acute COVID-19. An electronic survey was conducted to evaluate post-COVID-19 symptoms, disease severity, demographics, and pre-existing diseases. The participants were recruited through 88,648 SMS messages, and post on social media. The associations between variables were explored through multivariate models. From 6,958 respondents with confirmed COVID-19, 753 (10.8%) required hospitalization, and 5,791 (83.2%) exhibited at least one post-COVID manifestation. Hair loss (49.4%), memory loss (40.7%), low attention (37.0%), fatigue (34.2%), anxiety (31.2%), and headache (29.6%) were the most reported post-COVID manifestations. Female sex, myalgia, anosmia, and severe disease were associated with most post-COVID manifestations. Pre-existing depression was associated with the development of neuropsychiatric manifestations. Post-COVID manifestations were identified in most patients following COVID-19 infection, placing a supplementary burden on the healthcare system. Hair loss, fatigue, and neuropsychiatric symptoms were the most prevalent post-COVID manifestations. Female sex, myalgia, anosmia, and more severe disease are risk factors for multiple post-COVID manifestations.

Abstract The JAK-STAT signaling pathway mediates important cellular processes such as immune response, carcinogenesis, cell differentiation, division and death. Therefore, drugs that interfere with different JAK-STAT signaling patterns have potential indications for various medical conditions. The main dermatological targets of JAK-STAT pathway inhibitors are inflammatory or autoimmune diseases such as psoriasis, vitiligo, atopic dermatitis and alopecia areata; however, several dermatoses are under investigation to expand this list of indications. As JAK-STAT pathway inhibitors should gradually occupy a relevant space in dermatological prescriptions, this review presents the main available drugs, their immunological effects, and their pharmacological characteristics, related to clinical efficacy and safety, aiming to validate the best dermatological practice. JAKSTAT JAK STAT response carcinogenesis differentiation death Therefore conditions psoriasis vitiligo areata however prescriptions effects characteristics safety practice

This article reflects on the role of images in rhetorical techniques. The theme will be Covid-19-related deaths in Brazil. To this end, two covers from Brazilian newspapers namely, O Globo, from Rio de Janeiro, and Folha de São Paulo, from São Paulo, compose the corpus. More specifically, the covers were published in the editions issued after the country registered over 100,000 and 200,000 Covid-19-related deaths. The objective is to show the argumentative role of metonymy and repetition in the corpus texts. The images presented in the study were relevant to the two cover compositions. O Globo used photos of several people who died from the disease. Folha de São Paulo reproduced shoes that had been worn by some of the victims. The analysis is based on theoretical assumptions about rhetorical images by rhetoric and new rhetoric scholars.

Este artigo busca refletir sobre o funcionamento de uma das técnicas retóricas usadas em discursos: as figuras. A abordagem será feita com base em mortes provocadas por Covid-19 no Brasil. Para isso, consideram-se como corpus de estudo duas capas de jornais brasileiros, o carioca O Globo e o paulistano Folha de São Paulo, mais especificamente as edições que registram quando o país ultrapassou as 100 mil e as 200 mil mortes pelo coronavírus. O objetivo é mostrar o papel argumentativo que a metonímia e a repetição imprimem aos textos em questão. Essas figuras foram relevantes para a composição das duas capas. A de O Globo utiliza fotos de várias pessoas que morreram por causa da doença. A da Folha de São Paulo reproduziu calçados usados por algumas das vítimas. A análise se fundamenta em pressupostos teóricos de estudiosos da Retórica e da Nova Retórica, especialmente no que diz respeito às figuras retóricas. 

Resumo O objetivo deste artigo é mostrar a construção dos ethé de Ciça, cartunista que se tornou conhecida pela série de tiras cômicas de O Pato, publicada durante os anos da Ditadura Militar brasileira (1964-1985) no jornal Folha de S.Paulo. Embora seja considerada uma das principais desenhistas de histórias em quadrinhos do Brasil, não há muitas referências a ela, dado que justifica este artigo. Os pressupostos teóricos que fundamentam a análise advêm da Retórica e Nova Retórica, especialmente a partir da noção de ethos, que constitui a imagem que orador constrói de si e dos outros no discurso. Como corpus de estudo, são utilizados principalmente textos de apresentação presentes em suas obras e entrevistas concedidas pela cartunista.

Abstract The purpose of this paper is to show the construction of Ciça’s ethé, a comic book artist who became known for the comic strips series O Pato (The Duck), published in the newspaper Folha de S.Paulo during the Brazilian Military Dictatorship (1964-1985). There are not many references about her, although considered one of the main comic book artists in Brazil, information that justifies this study. The theoretical assumptions that support the analysis come from Rhetoric and New Rhetoric, especially the notion of ethos, which constitutes the image that speakers build of themselves and others in the discourse. As corpus of study, we particularly use the presentation texts in her works and interviews given by the artist herself.

Resumen El propósito de este artículo es mostrar la construcción de los ethé de Ciça, una dibujante que se hizo conocida por la serie de tiras cómicas de O Pato, publicada durante los años de la Dictadura Militar brasileña (1964-1985) en el periódico Folha de S.Paulo. Aunque sea considerada una de las principales dibujantes de los cómics en Brasil, no hay muchas referencias a ella, información que ya justificaría este artículo. Los supuestos teóricos que subyacen al análisis provienen de la Retórica y la Nueva Retórica, especialmente de la noción de ethos, que constituye la imagen que el hablante construye de sí mismo y de los demás en el discurso. Como corpus de estudio, se utilizan principalmente textos de presentación existentes en sus obras y entrevistas concedidas por la dibujante.

Abstract Background: The Anais Brasileiros de Dermatologia (Anais Brasileiros de Dermatologia) is the official journal of the Brazilian Society of Dermatology, which has been published since 1925, with free, bilingual access. There are several bibliometric indicators that estimate aspects of a journal’s scientific influence. Its analysis, based especially on the evolutionary trend, allows identifying the journal’s strengths and weaknesses, in addition to guiding editorial policies. Objectives: To evaluate the trends of the main bibliometric indicators of Anais Brasileiros de Dermatologia, in the decade of 2010–2019. Methods: Methodological study that proposed the analysis of bibliometric indicators published by Journal Citation Reports, SCImago, and Scopus, for the journal Anais Brasileiros de Dermatologia, from 2010 to 2019. The following aspects were evaluated: Impact factor, Immediacy index, SJR (SCImago), in addition to the number of citations, citable items, Cite Score, percentage of external citations, percentage of cited articles, percentage of citable articles, and the article influence score. Results: There was an increase in the main bibliometric indicators in the last decade: impact factor (0.337 to 1.121), immediacy index (0.054 to 0.204),Eigenfactor (0.00025 to 0.00394), SJR (0.176 to 0.453). The percentage of external citations (48.4% to 94.1%) and cited articles (24.7% to 51.4%) also increased. The increase in the impact factors of Anais Brasileiros de Dermatologia in the period was more significant than that of the dermatology journals (1,667 to 2,118) and the Brazilian journals (1,247 to 1,408), indexed in the Journal Citation Reports. Study limitations: Failure in the classification and registration of the databases. Conclusions: There has been a consistent increase in the scientific influence of Anais Brasileiros de Dermatologia in the last decade.

Abstract Background: Alopecia areata is a highly frequent disease with an impact on quality of life and several treatment options with little clinical confirmatory evidence. Objective: To disseminate the recommendations of Brazilian dermatologists with expertise in the treatment of alopecia areata. Methods: Eight specialists with expertise in alopecia areata from different university centers were appointed by the Brazilian Society of Dermatology to reach a consensus on its treatment. Based on the adapted DELPHI methodology, the relevant elements were considered; then, an analysis of recent literature was carried out and the consensus was written down. Consensus on the management of alopecia areata was defined with the approval of at least 70% of the panel. Results/Conclusions: Intralesional injectable corticotherapy was considered the first option for localized disease in adults. In extensive cases with signs of activity, systemic corticosteroid therapy should be considered and can be used together with immunosuppressants (corticosteroid-sparing agents). The use of an immunosensitizer (diphencyprone) is an option for stable long-term cases. Evaluation of side effects is as important as the rate of hair regrowth.

ABSTRACT The investigation investigated the role of four community radio stations in the department of Cauca Colombia in promoting the right to peace for rural areas historically affected by the armed conflict: Contacto Stereo, Patía Stereo, Radio Pa'yumat and Libertad Stereo (las last two of indigenous character). This sense, it was pertinent to study and investigate what has been, is and will be its role in a scenario of the post-agreement achieved with the FARC. Qualitative research, which used instruments such as interviews, surveys, Indicator of Social Profitability in Communication (IRSCOM), focus groups and on-site observation to find out the situation of the stations. The results showed that the culture of peace and its respective promotion on community radio stations has been building in community, through radio programs since long before the Peace Agreement began to be built.

RESUMEN La investigación indagó sobre el papel de cuatro emisoras comunitarias del departamento del Cauca Colombia en la promoción del derecho a la paz para las zonas rurales, históricamente afectadas por el conflicto armado: Contacto Stereo, Patía Stereo, Radio Pa’yumat y Libertad Stereo (las dos últimas de carácter indígena). Este sentido, resultó pertinente estudiar e indagar cuál ha sido, es y será su función en un escenario del posacuerdo logrado con las FARC. Investigación cualitativa, la cual recurrió a instrumentos como entrevistas, encuestas, Indicador de la Rentabilidad Social en Comunicación (IRSCOM), grupos focales y observación in situ para conocer la situación de las emisoras. En los resultados se pudo comprobar que la cultura de paz y su respectiva promoción en las emisoras comunitarias, se ha venido construyendo en comunidad, a través de programas radiales desde mucho antes de que se empezara a construir el Acuerdo de Paz.

Resumen Este artículo demuestra la longevidad de O Amigo da Onca, personaje de humor gráfico brasileño creado por Pericles Maranhão. Publicado en la revista O Cruzeiro de 1943 a 1972, la historieta lo mostraba colocando a los demás en situaciones embarazosas. La hipótesis por ser trabajada es la de que el ethos de poco confiable de él se asocia con otras personas para producir humor y criticar lo que contribuye a perpetuar el personaje-título. El ejemplo por ser analizado en este trabajo es el del expresidente de Brasil, Michel Temer. El objetivo es mostrar, por medio de los dibujos que la aproximación de Temer a O Amigo da Onça funciona como técnica para producir humor, y sugiere suposiciones ideológicas sobre la forma de actuar del ex Presidente. El estudio se basa en los presupuestos de las teorías discursivas, como es el caso del campo del humor y las nociones de memoria y ethos.

Abstract This article shows the longevity of O Amigo da Onça, a Brazilian humor character created by Péricles Maranhão. Published in the O Cruzeiro magazine, from 1943 to 1972, the comic showed him putting others in embarrassing situations. The hypothesis to be worked out is that his unreliable ethos is associated with other people to produce humor and criticize, which contributes to perpetuate the character. The example in this text to be analyzed is the Brazilian ex-president Michel Temer. The objective is to show, through the charges examination, that Temer's approach to O Amigo da Onça acts as a technique to produce humor, as well suggests ideological assumptions about the former president's way of acting. The study is anchored in assumptions of discursive theories, in the case of the field of humor and of the notions of memory and ethos.

Resumo Este artigo evidencia a longevidade de O Amigo da Onça, personagem do humor gráfico brasileiro criado por Péricles Maranhão. Publicada na revista O Cruzeiro, de 1943 a 1972, a história em quadrinhos o mostrava colocando outros em situações embaraçosas. A hipótese a ser trabalhada é a de que o ethos de pouco confiável dele é associado a outras pessoas de modo a produzir humor e criticar, o que contribui para perpetuar o personagem-título. O exemplo a ser analisado neste texto é o do ex-presidente do Brasil Michel Temer. O objetivo é mostrar, por meio do exame de charges, que a aproximação de Temer a O Amigo da Onça funciona como técnica de produzir humor, bem como sugere suposições ideológicas sobre a forma de agir do ex-presidente. O estudo se ancora em pressupostos de teorias discursivas, caso do campo do humor e das noções de memória e ethos.