RESUMEN Este es un estudio descriptivo sobre la participación de las mujeres en los 70 años de la revista Ideas y Valores. Describimos la progresión histórica de la proporción de género en la publicación de textos, el comportamiento de las autoras según los tipos de textos de su autoría y el impacto de la indexación de la revista en la proporción de género. Caracterizamos a las autoras según tipos de textos, país de afiliación institucional y temas, y describimos su participación como autoras referidas en reseñas, traducciones y diálogos. Finalmente, ofrecemos una bibliografía completa de las autoras en Ideas y Valores.

ABSTRACT We provide a descriptive study on the participation of women throughout the 70-year history of Ideas y Valores. We describe the historical progression of the gender proportion in the publication of texts, the behavior of female authors according to types of texts, and the impact of the inclussion of the journal in indexes on gender proportion. We offer a characterization of female authors according to the types of texts they publish, the country of their reported institution, and their topics of research. We also describe participation of women as authors of reviewed books and texts put into dialogues. Finally, we offer a comprehensive list of text authored by women in Ideas y Valores.

RESUMO O objetivo deste trabalho é indicar como a exploração estilística de Margaret Cavendish responde às particularidades do conceito de natureza dela, por exemplo, a tese de que a natureza é uma matéria viva, infinita, mutável e heterogênea. Primeiramente, mostrarei o modo pelo qual a autora está presente em seus escritos, como ela escreve de uma perspectiva de primeira pessoa sobre sua própria experiência e de quem ela é. Resumirei brevemente sua biografia e o contexto no qual ela praticou filosofia. Dado que suas escolhas de estilo são bastante numerosas, apresentarei somente algumas poucas, entre as peculiaridades estilísticas dela. Em segundo lugar, desenvolverei uma visão geral do seu conceito de natureza, ao contrário do proposto pelas teorias mecanicistas de seu tempo. Esclarecerei que tal conceito é expresso adequadamente pela diversidade estilística à qual Cavendish se volta em suas investigações.

ABSTRACT This paper aims at indicating how Margaret Cavendish's stylistic exploration answer to the particularities of her concept of nature, i.e. the thesis that nature is live, infinite, changing and heterogeneous matter. I will first show the way in which the author is present in her writings, as she writes from a first person perspective about her own experience and from who she is. I will briefly summarise her biography and the context in which she practiced philosophy. Given that her stylistic choices are quite numerous, I will only present a few of her stylistic particularities. Secondly, I will develop the general outline of her concept of nature, as opposed to the one proposed by the mechanistic theories of her time. I will make it clear that said concept is adequately expressed in the stylistic diversity to which Cavendish turns in her investigations.

Abstract: My aim is to criticize the notion of seriality embedded in the understanding of time within the framework of Cartesian studies. I hold that neither those who defend that time is continuous nor those who think that it is discrete take into account the fact that seriality is rooted in a conception of time conceived as divisible and numerable that does not belong intrinsically to the nature of the experience of time of the cogito. I propose to advance towards a characterization of such experiential and cogitative time.

Resumen: Propongo una crítica a la noción de serialidad en la comprensión del concepto de tiempo en el contexto de los estudios cartesianos. En el debate entre los defensores del tiempo continuo y quienes defienden un tiempo discreto, sostengo que ninguna de estas posiciones tiene en cuenta que la serialidad se enmarca en una noción de tiempo que se concibe como divisible y numerable y que no pertenece intrínsecamente a la naturaleza de la experiencia temporal del cogito. Mi propuesta consiste en comenzar a desarrollar la caracterización de dicho tiempo experiencial y cogitativo.

El pasaje de la Física (218b21-219a) ha llevado a postular un concepto de tiempo determinado por las condiciones perceptivas de la psyche. Se muestra cómo las condiciones de percepción son un punto de partida en la investigación: lo que es primero y más cercano a los sentidos y más conocido para los seres humanos. El punto de llegada es la conexión necesaria entre la existencia del tiempo y la del cambio. La percepción del cambio de los durmientes de Cerdeña permite determinar los elementos que componen la experiencia del tiempo y proceder a determinar aquellos que componen la existencia de este.

Passage 218b21-219a of Aristotle's Physics has led to the formulation of a concept of time that is determined by the perceptual conditions of the psyche. The paper shows that the conditions for perception, that which is prior, closer to the senses, and better known by human beings, are just the starting point for the investigation. The point of arrival is the necessary connection between the existence of time and change. The perception of change in the case of the sleeping Sardinian heroes makes it possible to determine those elements involved in the experience of time and, subsequently, those that make up the existence of the same.

Acudo al concepto de poiesis (producción), a partir del uso que hace de este Paul Valéry, para considerar el tiempo y el movimiento como conceptos producidos en el marco de un proyecto de comprensión del mundo natural. Bajo la idea que la filosofía es una manera de construir la inteligibilidad de los fenómenos a partir de conceptos, intento mostrar la coherencia entre la construcción del concepto de tiempo y la del concepto de movimiento.

Having in mind the concept of poiesis (production), as Paul Valéry uses it, time and movement are presented as concepts produced within the project of understanding the natural world. From the idea of philosophy as a way of constructing through concepts the intelligibility of phenomena, I will show the coherence between the construction of the concept of time and that of the concept of movement.